Movie Reviews Published by The Hollywood Reporter - Page 97 of 353

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Review of The Farewell (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Feb 2019

Wang shows an assured grasp of tone, a pleasing eye for unforced composition and a persuasive understanding of the immigrant cultural experience,…

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Review of The Last Black Man in San Francisco (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Feb 2019

All the dramatic components have not only been well thought out by Talbot and co-writer Rob Richert, but they’re adorned, for the most part,…

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Review of Extremely Wicked, Shockingly Evil and Vile (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Feb 2019

It’s quite a story, which Berlinger moves along with unrelenting energy…

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Review of Then Came You (2018)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 31 Jan 2019

Although it features strong performances and some affecting moments, Then Came You suffers from the sort of cutesiness endemic to so many teen-oriented…

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Review of The Man Who Killed Hitler and Then the Bigfoot (2019)

By Lisa Tsering (49) for The Hollywood Reporter (7,050) on 31 Jan 2019

The Man Who Killed Hitler and Then the Bigfoot is a sprawling, meandering drama that doesn't quite deliver on its ambitious promise (and intriguing…

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Review of Miss Bala (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 31 Jan 2019

Gareth Dunnet Alcocer's script has a tidy, programmed feel that results in a feel-good version of a grim and sordid modern yarn…

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Review of Braid (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 31 Jan 2019

Braid ultimately offers far more style than substance…

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Review of Alita: Battle Angel (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 31 Jan 2019

While not exactly a misfire, Rodriguez and Cameron's joint effort lacks the zing and originality of their best individual work…

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Review of Cold Pursuit (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 30 Jan 2019

The action never stops being fun, and it eventually does make excellent use of the heavy machinery Nels' job requires…

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Review of The Boy Who Harnessed the Wind (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 30 Jan 2019

Made with the intelligence and good taste one expects from Ejiofor, the involving film cares about much more than the sweeping images of triumph…

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Review of Brittany Runs a Marathon (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 30 Jan 2019

Colaizzo’s dialogue often crackles with modern idioms and good pithy comments, flowing from the distinct characters in easy fashion…

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Review of Blinded by the Light (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 30 Jan 2019

Light is just as faithful to formula as Bend It Like Beckham and just as reliant on its lead's likability; here, newcomer Viveik Kalra radiates…

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Review of After the Wedding (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 29 Jan 2019

Bart Freundlich's American remake of the Bier film flips the gender of the main characters, yielding predictably strong performances from Julianne…

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Review of Big Time Adolescence (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 29 Jan 2019

Pete Davidson is so on-target you might forget all the lines he's flubbed on Saturday Night Live…

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Review of Fighting with My Family (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 29 Jan 2019

Fighting With My Family reminds us several times that the sport is as much about charismatic storytelling as it is about skill…

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Review of Apollo 11 (2019)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 29 Jan 2019

I don't think Apollo 11 should be anybody's first or only exposure to the moon landing and its greatest strength is in recognizing that…

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Review of Polar (2019)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 28 Jan 2019

Polar is pure trash, but the generousness — and, in the final stretch, the poignancy — with which Mikkelsen approaches even the most lurid…

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Review of Velvet Buzzsaw (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 28 Jan 2019

There’s enough fun, writerly glee and actors enjoying their little rampages to make Velvet Buzzsaw a decent distraction for a couple of hours,…

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Review of Polar (2019)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 28 Jan 2019

Polar is pure trash, but the generousness — and, in the final stretch, the poignancy — with which Mikkelsen approaches even the most lurid…

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Review of High Flying Bird (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 28 Jan 2019

Soderbergh and McCraney have entertainingly stirred the pot and put a perspective on the screen that will stir some reactions in the real world…

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