Movie Reviews Published by The Hollywood Reporter - Page 87 of 353

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Review of Portrait of a Lady on Fire (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 18 May 2019

Assaying [Sciamma's] first period film, an exquisitely executed love story that's both formally adventurous and emotionally devastating, she…

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Review of First Love (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 18 May 2019

It offers little thematically or stylistically novel that devotees of Japan’s most prolific B-movie maestro will not have seen many times…

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Review of First Love (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 18 May 2019

It offers little thematically or stylistically novel that devotees of Japan’s most prolific B-movie maestro will not have seen many times…

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Review of First Love (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 18 May 2019

It offers little thematically or stylistically novel that devotees of Japan’s most prolific B-movie maestro will not have seen many times…

Read Review

Review of We Have Always Lived in the Castle (2019)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 17 May 2019

Incorporating elements of drama and suspense, Passon’s pic avoids directly confronting her heroines' covertly sociopathic tendencies, preferring…

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Review of Adam and Steve (2006)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 17 May 2019

Ultimately Adam & Steve mainly goes to prove that indie gay romantic comedies can be just as witless, vulgar and over the top as their straight,…

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Review of Little Joe (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 17 May 2019

A lifeless, tone-deaf variation on Invasion of the Body Snatchers…

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Review of Pain and Glory (2019)

By Jonathan Holland (58) for The Hollywood Reporter (7,050) on 16 May 2019

It’s unlikely to be remembered with any great fondness by all but Almodovar diehards, its self-regarding inwardness suggesting that he’s…

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Review of The Professor (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 16 May 2019

The picture fares better at finding occasional moments of warmth than at convincing us of its characters' reality…

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Review of A Violent Separation (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 May 2019

Unfortunately, the themes don't resonate in sufficiently powerful fashion to compensate for the film's sluggish pacing and strained melodramatics…

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Review of Loving Vincent: The Impossible Dream (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 May 2019

Miki Wecel's film will prove fascinating not only to animation and Vincent Van Gogh buffs, but to anyone interested in how the creative sausage…

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Review of Atlantics (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 16 May 2019

A lot of ideas about class, post-imperialism and spiritual values peek up out of the surface of the text, but they're not developed with much…

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Review of Rocketman (2019)

By David Rooney (943) for The Hollywood Reporter (7,050) on 15 May 2019

As a fantasia on the making of Elton John, Rocketman at the very least commits wholeheartedly to its flashy eccentricity, and for many, that…

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Review of The Sun Is Also a Star (2019)

By Caryn James (352) for The Hollywood Reporter (7,050) on 14 May 2019

As talented as Yara Shahidi and Charles Melton are individually, they don’t have much chemistry…

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Review of Walking on Water (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 13 May 2019

Though it starts uneventfully, the doc perks up in its second half, highlighting the kind of practical headaches nearly no other artist in…

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Review of The Dead Don't Die (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 13 May 2019

It’s a minor, but most edible, bloody bonbon…

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Review of Burning Cane (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 13 May 2019

A Faulknerian look at domestic violence, self-destructiveness and faith set in a small Louisiana town, its cinematic style owes something to…

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Review of The Third Wife (2019)

By Neil Young (78) for The Hollywood Reporter (7,050) on 13 May 2019

Mayfair's picture feels like the work of a seasoned veteran rather than a newcomer, but this isn't necessarily a compliment…

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Review of Trial by Fire (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 12 May 2019

The filmmaking here is plain, prosaic and earnest…

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Review of David Cross: Oh Come On (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 12 May 2019

It's as stylistically straightforward as concert films get, but should play well to fans in its limited theatrical release as it simultaneously…

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