Movie Reviews Published by The Hollywood Reporter - Page 74 of 353

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Review of Cuck (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 02 Oct 2019

Initially a caustic and somewhat programmatic checklist of alt-right obsessions, Cuck becomes more tonally and dramatically interesting after…

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Review of In the Tall Grass (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 02 Oct 2019

In the Tall Grass is at least impressive on a technical level…

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Review of Low Tide (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 02 Oct 2019

This tale of a teenage gang of petty criminals whose alliance becomes fractured by a surprisingly big haul doesn't generate any real suspense…

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Review of Lucky Day (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 02 Oct 2019

Generic and too self-indulgent, if energetic and occasionally funny, the film’s greatest attribute is by far co-star Crispin Glover, who…

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Review of The Climbers (2019)

By Elizabeth Kerr (43) for The Hollywood Reporter (7,050) on 01 Oct 2019

Too many endings and romantic subplots that do nothing but bloat the running time and detract from the snowy action could easily have been…

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Review of La Llorona (2020)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 30 Sep 2019

How this outspoken film, Bustamante’s most gripping to date, will fare domestically is an open question (it has not come out yet in Guatemala)…

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Review of La Llorona (2019)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 30 Sep 2019

How this outspoken film, Bustamante’s most gripping to date, will fare domestically is an open question (it has not come out yet in Guatemala)…

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Review of Send Me to the Clouds (2019)

By Elizabeth Kerr (43) for The Hollywood Reporter (7,050) on 30 Sep 2019

As a director Teng isn’t a standout stylist, and the film’s technical specs are perfectly adequate, not flashy…

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Review of Making Waves: The Art of Cinematic Sound (2019)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 29 Sep 2019

The documentary — a polished directing debut for veteran sound editor Costin — will leave many geekier audience members wishing it were…

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Review of Greener Grass (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 29 Sep 2019

The cast commit enthusiastically to the material, walking that fine line between comic exaggeration and an almost earnest dramatic sincerity…

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Review of Sister Aimee (2019)

By Beandrea July (45) for The Hollywood Reporter (7,050) on 27 Sep 2019

Although written as a supporting role, Suarez Paz’s portrayal of Rey adds depth to the story and ultimately carries the film…

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Review of The Irishman (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 27 Sep 2019

Scorsese's choice to make this a standalone feature and not a limited series seems mildly perplexing…

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Review of Gemini Man (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 26 Sep 2019

The disappointing end result feels less than the sum of the talents involved, a weak script and thin high-concept plot only just held together…

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Review of 10 Minutes Gone (2019)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 26 Sep 2019

Miller demonstrates even less conviction than his writers, relying on frequent flashbacks to fill in backstory that’s not evident from the…

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Review of Prey (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Sep 2019

Blumhouse has certainly proved very successful with its inventive, low-budget approach to horror, but now that the company is spewing out movies…

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Review of The Disappearance of My Mother (2019)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 25 Sep 2019

This is a tumultuous muse story in which the artist and his inspiration just happen to be blood relations…

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Review of Prey (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Sep 2019

Blumhouse has certainly proved very successful with its inventive, low-budget approach to horror, but now that the company is spewing out movies…

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Review of Prey (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 25 Sep 2019

Blumhouse has certainly proved very successful with its inventive, low-budget approach to horror, but now that the company is spewing out movies…

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Review of In the Shadow of the Moon (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 24 Sep 2019

It's certainly an imaginative concept for a detective story, but the storyline gets so convoluted and baroque that unintentional humor sets…

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Review of Black and Blue (2019)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 23 Sep 2019

There's a tight, tense thriller in all this. Unfortunately, director Deon Taylor and screenwriter Peter A…

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