Movie Reviews Published by The Hollywood Reporter - Page 65 of 353

1,281-1,300 of 7,050 Reviews

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Review of Emma (2020)

By Caryn James (352) for The Hollywood Reporter (7,050) on 03 Feb 2020

De Wilde and Catton deliver a largely faithful and unchallenging adaptation, beautifully staged and sharply acted by a cast adept at balancing…

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Review of The Glorias (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2020

It's a testament to the complexity of the subject and her positivity even in the face of the most culturally entrenched caveman attitudes that…

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Review of Welcome to Chechnya (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2020

Whether or not you identify as queer, Welcome to Chechnya will leave you shaken by the evidence of an amoral autocracy taking extreme action…

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Review of Tesla (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2020

The degree to which the Tesla story syncs with Almereyda's abiding fascinations is clear in every frame of this contemplative, questioning,…

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Review of Lost Girls (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2020

Grim and gritty though seldom emotionally affecting, Lost Girls loses momentum just like the half-assed investigation of cops whose possible…

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Review of Charm City Kings (2020)

By Beandrea July (45) for The Hollywood Reporter (7,050) on 01 Feb 2020

Sadly, despite its title referencing a dirt bike gang, Charm City Kings doesn’t really show us anything we haven’t seen before…

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Review of Falling (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 01 Feb 2020

Falling doesn't transform its emotional landscape into a simple question of rejection or forgiveness…

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Review of Nine Days (2021)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Feb 2020

For all the film's intellectual pretensions, both good and bad, Duke's great gravitas and Beetz' spontaneity lift the film partway out of its…

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Review of The Father (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 01 Feb 2020

The best film about the wages of aging since Amour eight years ago, The Father takes a bracingly insightful, subtle and nuanced look at encroaching…

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Review of Dream Horse (2021)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 01 Feb 2020

Like horse racing, filmmaking is a high-risk gamblers' game, but the team behind Dream Horse, the resulting dramatization of the Vokes' story,…

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Review of The Nowhere Inn (2021)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 01 Feb 2020

The Nowhere Inn is simultaneously satire and fan service, frothy fun and pretentious nonsense, depending on what the viewer wants it to be…

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Review of The Queen of Hollywood Blvd (2018)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 31 Jan 2020

It's so distinctive, in fact, that that it's hard to tell exactly whether it's sublime or terrible, but either way, it's one of a kind…

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Review of Coda (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 31 Jan 2020

Sadly, the script for this debut feature, written by Louis Godbout, is less persuasive: No single event is fatally implausible, perhaps, but…

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Review of Created Equal: Clarence Thomas in His Own Words (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 31 Jan 2020

Despite its obvious lack of objectivity, Clarence Thomas: In His Own Words proves an undeniably important historical document, if only for…

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Review of Gretel & Hansel (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 30 Jan 2020

Gretel & Hansel may alienate some horror movie fans with its extremely leisurely pacing and emphasis on atmosphere and mood rather than visceral…

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Review of The Rhythm Section (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 29 Jan 2020

Fortunately, there's Lively, adopting a convincing British accent, who almost, but not quite, manages to infuse the convoluted goings-on with…

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Review of Boys State (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 29 Jan 2020

Boys State inevitably feels more and more like reality TV programming, which is both appropriate for our times and depressing…

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Review of Worth (2021)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 28 Jan 2020

There are enough diverse personalities in this unexpected film to generate a degree of interest in a subject few have probably ever thought about…

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Review of The Nest (2020)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 28 Jan 2020

The Nest lingers long after the final credits…

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Review of Minari (2021)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 28 Jan 2020

The charming low-key humor and the actors are all winning without being coy or cutesy…

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