Movie Reviews Published by The Hollywood Reporter - Page 63 of 353

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Review of Beneath Us (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 04 Mar 2020

Unfortunately, despite its uncomfortable resonance, Beneath Us barely scratches the surface of its provocative ideas, sacrificing nuance in…

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Review of The Banker (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 04 Mar 2020

Despite the recognizably daunting challenges in telling this long-arc story in an entirely coherent way, The Banker spins a surprising and…

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Review of Days (2021)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 01 Mar 2020

The film’s minimalist aesthetic makes little concession to the usual forms of cinematic expression and extends to the set design: living…

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Review of All the Bright Places (2020)

By Beandrea July (45) for The Hollywood Reporter (7,050) on 28 Feb 2020

Without trying too hard, it speaks to teenagers, and also to the teenagers we all once were, about how to cope with and adapt to those first…

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Review of Charlatan (2021)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 28 Feb 2020

Though shot in the most classic of idioms, the film commands attention with its mesmerizing performances and lively cross-cutting between key…

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Review of Undine (2021)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 28 Feb 2020

Beer and Rogowski are so good, and have such amazing chemistry, that it’s hard to look away or not root for them to be together…

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Review of Swimming Out Till the Sea Turns Blue (2021)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 28 Feb 2020

It’s the opposite of sensational; quiet, dignified and ruminative, it gets far closer to real Chinese people than a TV-style travelogue,…

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Review of The Roads Not Taken (2020)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 28 Feb 2020

Leads Javier Bardem and Elle Fanning are commanding actors who give it all they’ve got to make their characters realistic, but while the…

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Review of Art Paul of Playboy: The Man Behind the Bunny (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 27 Feb 2020

[Paul's] warm personality and sense of humor are on ample display in this engaging documentary that makes a strong case for his influence and…

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Review of Blood on Her Name (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 27 Feb 2020

A tense debut built around a compelling lead performance by Bethany Anne Lind, it benefits from a couple of graceful storytelling flourishes…

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Review of Tread (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 27 Feb 2020

A tale of long-simmering grudges and shocking violence in a small town, Paul Solet's Tread is a smartly structured doc with a finale so extravagant…

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Review of My Salinger Year (2020)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 26 Feb 2020

The main issue with the film's screenplay, written by the director, is that it is trying to cover too much ground and yet be tonally light…

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Review of Straight Up (2020)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 24 Feb 2020

The closing scenes of Straight Up are more contrived and constrained — an acquiescence to living inside the box, with one dramatic wrinkle…

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Review of The Invisible Man (2020)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 24 Feb 2020

By the time the film begins approaching the two-hour point, the feeling sets in that perhaps Whannell is stretching his conceit a bit too far…

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Review of Onward (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 21 Feb 2020

It lacks infectious magic…

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Review of Impractical Jokers: The Movie (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 21 Feb 2020

Why somebody would get off the couch and spend money to see it is anyone's guess…

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Review of Viral: Antisemitism in Four Mutations (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 20 Feb 2020

Although touching on a multitude of aspects of its disturbing subject matter, it never really digs particularly deep into any of them, with…

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Review of Standing Up, Falling Down (2020)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 20 Feb 2020

Although there is nothing groundbreaking about the story told in Standing Up, a series of small grace notes help to freshen this dissection…

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Review of Premature (2020)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 20 Feb 2020

This is an imperfect but stirring drama, by turns sweet, sexy and quietly wrenching…

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Review of The Night Clerk (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 19 Feb 2020

The results aren't fully satisfying on any level, despite a terrific cast that includes rising star Ana de Armas (Knives Out), soon to be seen…

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