Movie Reviews Published by The Hollywood Reporter - Page 58 of 353

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Review of The Walrus and the Whistleblower (2020)

By Inkoo Kang (374) for The Hollywood Reporter (7,050) on 17 Jun 2020

Incomplete-feeling film, which inadvertently illustrates how empathy without balance can obscure truth…

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Review of You Should Have Left (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 17 Jun 2020

Koepp and his cast successfully convey how afraid the family becomes once it's clear they're being supernaturally prevented from leaving the…

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Review of 7500 (2019)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 15 Jun 2020

Intended as a 90-minute nail-biter, the movie starts off strong but loses steam about halfway through and never quite recovers…

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Review of Artemis Fowl (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 11 Jun 2020

Josh Gad takes a valiant stab at landing some mostly groan-worthy humor, and Judi Dench has clearly put in a lot of hours scowling at green…

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Review of Marona's Fantastic Tale (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 11 Jun 2020

The film has its upbeat moments but can also be a tad gloomy — or maybe just classically Romanian, for anyone familiar with the recent cinematic…

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Review of Infamous (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 11 Jun 2020

The compendium of clichés might have been more palatable if the lead characters were more sympathetic, but it's hard to connect to Arielle's…

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Review of Da 5 Bloods (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 10 Jun 2020

Even if Da 5 Bloods at times seems to be morphing into an entirely different movie, its playfulness, as much as its raw power, keeps you glued…

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Review of Secret Life of a Celebrity Surrogate (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Jun 2020

This clear-eyed ethical drama is propelled by a performance of stunning psychological insight and raw feeling from Jasmine Batchelor…

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Review of The Surrogate (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Jun 2020

This clear-eyed ethical drama is propelled by a performance of stunning psychological insight and raw feeling from Jasmine Batchelor…

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Review of The King of Staten Island (2020)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 08 Jun 2020

The King of Staten Island is nothing if not conventional in its arc and themes, and has some of the usual Apatow aggravations, but it's winning…

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Review of The Surrogate (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 08 Jun 2020

This clear-eyed ethical drama is propelled by a performance of stunning psychological insight and raw feeling from Jasmine Batchelor…

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Review of We Are Freestyle Love Supreme (2020)

By David Rooney (943) for The Hollywood Reporter (7,050) on 05 Jun 2020

It's warm and personal, but sharp enough to know when to show a few bumps in the road of the mutual admiration society…

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Review of The Last Days of American Crime (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 05 Jun 2020

A poorly imagined crime flick that comes nowhere near justifying its 2.5-hour running time…

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Review of Hammer (2020)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 05 Jun 2020

Delivering plenty of suspense in its taut 81 minutes, this is the sort of pretension-free film that in earlier days would have been directed…

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Review of Breaking the Bee (2020)

By Inkoo Kang (374) for The Hollywood Reporter (7,050) on 03 Jun 2020

And in these troubled, terrifying times, as many of us are stuck at home simultaneously glued to, and existentially exhausted by, the news,…

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Review of Becky (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 02 Jun 2020

Becky tends to work best when it revels in the blood-splattered set pieces of its script (written by Ruckus Skye, Lane Skye and Nick Morris),…

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Review of Becky (2020)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 02 Jun 2020

Becky tends to work best when it revels in the blood-splattered set pieces of its script (written by Ruckus Skye, Lane Skye and Nick Morris),…

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Review of I Will Make You Mine (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 28 May 2020

The easygoing drama points its ensemble toward domesticity, watching as each character flirts with nostalgia and questions the wisdom of settled-down…

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Review of Botero (2019)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 28 May 2020

While Botero proves an enjoyable and accessible primer about the octogenarian Colombian-born artist whose paintings and sculptures have delighted…

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Review of The Man Standing Next (2020)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 26 May 2020

Though touching on a le Carre-like web of loyalties, ambition and hidden agendas, the film is generally less engrossing than that might suggest,…

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