Movie Reviews Published by The Hollywood Reporter - Page 42 of 353

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Review of Misha and the Wolves (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 02 Feb 2021

Misha's actual story is fascinating in its own way, but within the relative levity of Hobkinson's framework, her truth and trauma get lost…

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Review of First Date (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2021

While the two young thesps acquit themselves nicely, much around them conspires to prevent their debut from being a memorable one…

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Review of First Date (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2021

While the two young thesps acquit themselves nicely, much around them conspires to prevent their debut from being a memorable one…

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Review of Bliss (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 02 Feb 2021

As with both of his previous works, the filmmaker delivers an undeniably ambitious mind-bender that bites off more than it can narratively chew…

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Review of John and the Hole (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 02 Feb 2021

Sisto has an arresting visual style, a firm command of tone and an impressive ability to steer his fine cast onto the same rigorous wavelength,…

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Review of The Sparks Brothers (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 02 Feb 2021

While The Sparks Brothers may be a bit too exhaustive for those merely seeking an introduction to the band, longtime fans will be thrilled…

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Review of Street Gang: How We Got to Sesame Street (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 02 Feb 2021

If 107 minutes is maybe insufficient for something as important and layered as Sesame Street, that likely won't keep viewers from being satisfied…

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Review of First Date (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2021

While the two young thesps acquit themselves nicely, much around them conspires to prevent their debut from being a memorable one…

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Review of Earwig and the Witch (2021)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 01 Feb 2021

Dispiritingly generic in both appearance and tone…

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Review of Prisoners of the Ghostland (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 01 Feb 2021

It alternates between too simplistic and incomprehensible, spending much of its time in between those poles in the I understand, but I don't…

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Review of On the Count of Three (2022)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 01 Feb 2021

It's not wholly satisfying as a dramatic work, which is probably a sign of its honest identification with its two troubled protagonists…

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Review of Judas and the Black Messiah (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Feb 2021

Led by sensational performances from Daniel Kaluuya as Hampton and LaKeith Stanfield as William O'Neal, the FBI informant who infiltrated his…

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Review of Jockey (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 01 Feb 2021

As two long-timers eyeing potential breakthroughs in middle age, Clifton Collins Jr…

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Review of Passing (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Feb 2021

Whether this is a one-time passion project or the beginnings of an ongoing move from acting into directing in her career focus, Hall has crafted…

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Review of Passing (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Feb 2021

Whether this is a one-time passion project or the beginnings of an ongoing move from acting into directing in her career focus, Hall has crafted…

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Review of In the Earth (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 31 Jan 2021

The cluttered plot keeps surging forward while providing too few illuminating insights, instead loading up on mystical mumbo jumbo and flashes…

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Review of A Glitch in the Matrix (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 31 Jan 2021

Though it leaves some avenues underexplored and gives a bit too much attention to the sci-fi landmark name-checked in its title, the film makes…

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Review of How It Ends (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 31 Jan 2021

It's more breezy than bittersweet, more about acceptance and forgiveness than a movie made in 2020 has any right to be…

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Review of In the Same Breath (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 31 Jan 2021

Even when accessing the situation remotely via camera operators and citizen journalists on the ground, Wang deftly balances factoids with first-hand…

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Review of Coda (2021)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 30 Jan 2021

If you're going to make a film that sticks to the playbook, or playbooks, this is how to do it: CODA is a radiant, deeply satisfying heartwarmer…

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