Movie Reviews Published by The Hollywood Reporter - Page 39 of 353

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Review of WeWork: or The Making and Breaking of a $47 Billion Unicorn (2021)

By Inkoo Kang (374) for The Hollywood Reporter (7,050) on 26 Mar 2021

The documentary is just as notable for the cultural and social analysis that it lacks as it is for its contents…

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Review of Not Going Quietly (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 23 Mar 2021

Barkan proves a highly engaging man, impassioned but funnier than a terminally ill man should be…

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Review of Nobody (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 22 Mar 2021

Taking itself much less seriously than the Taken series and its predecessors, it's a wish-fulfillment romp just as ludicrous as any of them…

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Review of Clerk (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 21 Mar 2021

Listening to one of Smith's speaking engagements would be a much more entertaining way for a fan to spend 115 minutes, and non-fans or fence-sitters…

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Review of Charli XCX: Alone Together (2022)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 21 Mar 2021

At only 67 minutes, Bradley&Pablo's doc is aspiring much more to the former…

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Review of The Fallout (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Mar 2021

Mainly Park lets her actors interact, their humor deadpan, their pain unfathomable, their hormones surging and their flirtations halting…

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Review of Tom Petty, Somewhere You Feel Free (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Mar 2021

Somewhere You Feel Free is a love letter to Petty, but also to that most mysterious of alchemies, the chemistry of a rock 'n' roll band…

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Review of Women Is Losers (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Mar 2021

Feliciano's mix of social commentary and old-school melodrama can be sharp, but it can also be distractingly on-the-button…

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Review of Violet (2021)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 20 Mar 2021

The story itself finally feels lost beneath the levels of artifice rather than heightened by it…

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Review of Lily Topples The World (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 20 Mar 2021

There's a richer documentary to be made, one you might crave even more after 90 minutes of being inspired and impressed by Lily Hevesh…

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Review of Introducing, Selma Blair (2021)

By Inkoo Kang (374) for The Hollywood Reporter (7,050) on 19 Mar 2021

Introducing is a remarkably moving portrait of a 40-something woman forced to reevaluate her relationships and her sense of self in the face…

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Review of Here Before (2022)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 19 Mar 2021

It has its own peculiar spirit and casts a very witchy spell, thanks particularly to Gregg's adept handling of both experienced and young,…

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Review of Swan Song (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 19 Mar 2021

What's most notable about Todd Stephens' heartfelt salute to a real-life local legend is that the campiness of its outrageous plot becomes…

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Review of Happily (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 18 Mar 2021

Ultimately, Happily seems to bite off more than it can chew, proving more successful in its insightful exploration of relationship dynamics…

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Review of The Man Who Sold His Skin (2021)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 16 Mar 2021

Though the final product isn’t quite a home run, it is nonetheless a very intriguing work that again suggests Ben Hania is a talent to watch…

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Review of Zack Snyder's Justice League (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 15 Mar 2021

The movie's soul, such as it is, remains unimproved, and at 242 minutes, very few of them offering much pleasure, it's nearly unendurable as…

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Review of The Inheritance (2020)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 11 Mar 2021

It stands solidly on its own as a dynamic inquiry into revolutionary culture and Black identity, not to mention the challenge of living with…

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Review of Operation Varsity Blues: The College Admissions Scandal (2021)

By Inkoo Kang (374) for The Hollywood Reporter (7,050) on 11 Mar 2021

The script’s skillful tension makes it easy to forgive Operation Varsity Blues its occasionally clunky missteps…

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Review of Long Weekend (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 11 Mar 2021

Clever enough to not take his plot too seriously while fully indulging in its sentimentality, the filmmaker has crafted an undeniably feel-good…

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Review of YES DAY (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 10 Mar 2021

It's parental wish-fulfillment that isn't at all interested in what being a kid actually feels like…

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