Movie Reviews Published by The Hollywood Reporter - Page 349 of 353

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Review of Ghostbusters (1984)

By Arthur Knight (23) for The Hollywood Reporter (7,050) on 19 Jan 2001

Although it reunites the comic talents of director Ivan Reitman, writer Harold Ramis and star Bill Murray, the team responsible for the Meatballs…

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Review of Fade to Black (1980)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 16 Nov 2000

The film doesn't manage to achieve for hip-hop what the great rock concert films of the past have done for their musical genre…

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Review of Boiling Point (1993)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 01 Oct 2000

Boiling Point is a bad cable movie -- USA as opposed to HBO -- temporarily masquerading as a theatrical release; even the presence of one hot…

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Review of Hard Target (1993)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 22 May 2000

Van Damme is no mere fighting machine: His performance is buffed with subtle humor and a sympathetic, self-deprecating demeanor…

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Review of The Outsiders (1983)

By Robert Osbourne (2) for The Hollywood Reporter (7,050) on 16 May 2000

The director's touch of class is consistently present, but it may be a case of the wrong man for the job, since overall film plays unevenly,…

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Review of Coming to America (1988)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 17 Apr 2000

Coming to America is the filmic equivalent of using a Maserati to go to the corner grocery store — Murphy's colossal comic gifts and Landis…

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Review of Kansas City (1996)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 11 Apr 2000

A production that's strong on atmosphere but weak in the plot department…

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Review of Stargate (1994)

By David Hunter (72) for The Hollywood Reporter (7,050) on 17 Mar 2000

Stargate is peppered with numerous minor faults, some of which - although not all - are easily forgiven…

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Review of Mr. Nanny (1993)

By David Hunter (72) for The Hollywood Reporter (7,050) on 25 Feb 2000

Hogan proved himself a better actor when pretending that American wrestling is a real sport, and the production team that brought you the Mannequin…

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Review of The Empire Strikes Back (1980)

By Arthur Knight (23) for The Hollywood Reporter (7,050) on 06 Feb 2000

While Empire doesn't quite measure up to Star Wars in the freshness and originality of its script, and the plethora of space operas that has…

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Review of From Dusk Till Dawn (1996)

By David Hunter (72) for The Hollywood Reporter (7,050) on 07 Oct 1999

George Clooney is the best reason to submit yourself to From Dusk Till Dawn, an exceedingly grotesque thriller-horror-comedy that fails to…

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Review of 8½ (1963)

By James Powers (23) for The Hollywood Reporter (7,050) on 09 Aug 1999

A grim fable of modern man, a true art picture…

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Review of Weekend at Bernie's II (1993)

By David Hunter (72) for The Hollywood Reporter (7,050) on 23 May 1999

Which brings me to another odd point: for a movie so obviously trapped in the teen-comedy formulaics of the early-to-mid-Eighties, Weekend…

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Review of Operation Dumbo Drop (1995)

By David Hunter (72) for The Hollywood Reporter (7,050) on 23 May 1999

Even the most vigorous tear-duct manipulation, and a few funny scenes, cannot save Dumbo from its dominant tone of stilted corniness and prefab…

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Review of Predator (1987)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 29 Apr 1999

Structurally, Predator is a classic behind-enemy-lines/buddy movies. Nothing much new, just well done…

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Review of The Godfather (1972)

By Arthur Knight (23) for The Hollywood Reporter (7,050) on 11 Apr 1999

Director Francis Ford Coppola, with a strong assist from cameraman Gordon Willis, has done an extraordinary job of capturing period and place…

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Review of Freaked (1993)

By David Kronke (34) for The Hollywood Reporter (7,050) on 29 Mar 1999

To be fair, there are some genuinely funny bits here, but the film's aim is so scattershot that it never really comes together like it should,…

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Review of The Night We Never Met (1993)

By Jeff Menell (7) for The Hollywood Reporter (7,050) on 04 Mar 1999

The Night We Never Met is never lifelike enough to evoke the madly romantic New York atmosphere it seems to be after…

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Review of Full Metal Jacket (1987)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 15 Feb 1999

While far too much of the film is staged discussion and smug political jousting, there is savage and lethal black irony…

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Review of The Italian Job (1969)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 03 Feb 1999

Less giddy and more cohesive than the original, the film doesn't waste time, plunging almost directly into a spectacular heist…

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