Movie Reviews Published by The Hollywood Reporter - Page 33 of 353

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Review of PAW Patrol: The Movie (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Aug 2021

Here’s a quick tip: If you’re old enough to be reading this review, you’re too old to enjoy the childish pleasures of PAW Patrol: The Movie…

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Review of Pray Away (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 06 Aug 2021

The film is measured yet forceful, never strident in making its point…

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Review of Free Guy (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 05 Aug 2021

Reynolds’ boundless appeal, the frequently witty screenplay and expertly rendered technical aspects make the film enjoyable summer frivolity…

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Review of Beckett (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 04 Aug 2021

Directed with a workmanlike lack of style by Ferdinando Cito Filomarino and written by Kevin A…

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Review of Vivo (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 29 Jul 2021

The film’s computer-animated visuals, vividly rendering such locales as Cuba, Key West and the Everglades, are consistently arresting…

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Review of Alive: Who Is There? (2021)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 29 Jul 2021

The film’s computer-animated visuals, vividly rendering such locales as Cuba, Key West and the Everglades, are consistently arresting…

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Review of Ailey (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 29 Jul 2021

Wignot handles details of the legend’s tumultuous biography with great care, honoring his talents while acknowledging the toll they took…

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Review of The Suicide Squad (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 28 Jul 2021

Not only does it find the nastily enjoyable vibe that eluded its predecessor, but it also tells a story worth following — while balancing…

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Review of Jungle Cruise (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 27 Jul 2021

The absence of a light touch here means that even the teasing banter and sexual tension between appealing leads Dwayne Johnson and Emily Blunt…

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Review of LAMB (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Jul 2021

Lamb is a disturbing experience but also a highly original take on the anxieties of being a parent, a tale in which nature plus nurture yields…

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Review of The Green Knight (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Jul 2021

It embraces the strange remoteness of myth and Middle Ages lore on its own terms and creates something quietly dazzling and new…

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Review of Lamb (2021)

By David Rooney (943) for The Hollywood Reporter (7,050) on 26 Jul 2021

Lamb is a disturbing experience but also a highly original take on the anxieties of being a parent, a tale in which nature plus nurture yields…

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Review of Game 6 (2006)

By James Greenberg (88) for The Hollywood Reporter (7,050) on 25 Jul 2021

It attempts to walk the fine line between despair and comedy, reality and imagination, and often succeeds…

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Review of Woodstock 99: Peace, Love, and Rage (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 23 Jul 2021

I have problems with some of the ways Price tells his story and some of the access he was able to get, but his documentary is more thoughtful…

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Review of Broken Diamonds (2021)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 23 Jul 2021

In tactfully tackling some of the often-sensationalized issues surrounding schizophrenia, Sattler and screenwriter Steve Waverly craft a topical…

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Review of Jolt (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 23 Jul 2021

What Jolt lacks in originality and subtlety it at least somewhat makes up for in verve…

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Review of Old (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 22 Jul 2021

Viewers who can take it at face value may find a chill or two here, but ultimately Old can’t escape the goofiness of its premise long enough…

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Review of Snake Eyes: G.I. Joe Origins (2021)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 22 Jul 2021

As shamelessly corporate popcorn movies go, Snake Eyes is better than most…

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Review of Midnight in the Switchgrass (2021)

By Lovia Gyarkye (142) for The Hollywood Reporter (7,050) on 22 Jul 2021

The movie, which bills itself as a crime-thriller-mystery, doesn’t come close to fulfilling even the lowest of expectations; it neither takes…

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Review of Homeroom (2021)

By Dan Fienberg (310) for The Hollywood Reporter (7,050) on 20 Jul 2021

Last year waylaid many plans and subverted many intentions. Homeroom is one impressive response to that adversity…

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