Movie Reviews Published by The Hollywood Reporter - Page 248 of 353

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Review of Finding Mr. Right (2013)

By Elizabeth Kerr (43) for The Hollywood Reporter (7,050) on 08 Nov 2013

Xue’s second feature is an exemplar of commercial filmmaking, and production help from a handful of Hong Kong pros (in editing, costume design,…

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Review of Medora (2013)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 08 Nov 2013

Using the plight of the hapless team and its troubled young players as a microcosm of American society in decline, Medora, inevitably bound…

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Review of A Nightmare on Elm Street (2010)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 07 Nov 2013

The back-to-the-beginning approach unimaginatively goes through the motions, offering scant justification for its boring existence, at least…

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Review of Ass Backwards (2013)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 07 Nov 2013

Ill-advised and amateurishly executed, Ass Backwards begins with a passably funny concept and runs it into the ground within 20 minutes…

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Review of The Truth About Emanuel (2013)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 06 Nov 2013

Although Gregorini is very clear on where her lead characters are coming from, it’s where they’re headed that remains entirely vague, an…

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Review of Eat Pray Love (2010)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 05 Nov 2013

The film never ventures, even once, into a situation that does not reek of comfy familiarity…

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Review of Paradise: Hope (2013)

By David Rooney (943) for The Hollywood Reporter (7,050) on 05 Nov 2013

There’s uncustomary warmth here and a sensitivity to the characters’ vulnerabilities that often is missing from this director’s work…

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Review of Tim's Vermeer (2013)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 05 Nov 2013

The connection between art and technology is explored in an entertaining and accessible way in Tim's Vermeer, a documentary that demonstrates…

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Review of Maidentrip (2014)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 04 Nov 2013

Jillian Schlesinger’s first feature, made in collaboration with Dekker and composed largely of footage that the hardy adventurer shot herself,…

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Review of The Nun (2018)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 04 Nov 2013

While nothing in The Nun feels inspiring or truly groundbreaking, it’s certainly a well-handled package, and the strong performances are…

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Review of The Ghosts in Our Machine (2013)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Nov 2013

Liz Marshall's Ghosts in Our Machine trades didacticism for first-person atmospherics…

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Review of Aftermath (2014)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 01 Nov 2013

Aftermath's avoidance of Holocaust-film tropes lets the picture address weighty historical and moral issues while fitting into the genre shoes…

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Review of Aftermath (2013)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 01 Nov 2013

Aftermath's avoidance of Holocaust-film tropes lets the picture address weighty historical and moral issues while fitting into the genre shoes…

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Review of Why We Ride (2013)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 01 Nov 2013

Although a rather self-congratulatory air intermittently hangs over the film, the accomplishments of the participants and the popularity of…

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Review of Aftermath (2013)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 01 Nov 2013

Aftermath's avoidance of Holocaust-film tropes lets the picture address weighty historical and moral issues while fitting into the genre shoes…

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Review of Mr. Nobody (2009)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 01 Nov 2013

Van Dormael's intriguing script is more than matched in his flamboyant direction of this 2-hour-plus tale, heroically edited by Matyas Veress…

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Review of Behind the Blue Veil (2013)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 01 Nov 2013

The film is more impressionistic than informative, lacking the necessary dramatic structure to make it truly compelling…

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Review of Aftermath (2013)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 01 Nov 2013

Aftermath's avoidance of Holocaust-film tropes lets the picture address weighty historical and moral issues while fitting into the genre shoes…

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Review of Loggerheads (2005)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 31 Oct 2013

A drama that is more contemplative at times than dramatic yet one containing several powerful moments…

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Review of Sweet Dreams (1985)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 31 Oct 2013

Sweet Dreams delivers a rare uplifting story from a country that has seen more than its share of brutality and heartache…

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