Movie Reviews Published by The Hollywood Reporter - Page 155 of 353

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Review of In Dubious Battle (2016)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 03 Feb 2017

There is not a lot of risk-taking involved in the visual storytelling or in trying to find a cinematic equivalent of the novel’s style, making…

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Review of Rings (2017)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 03 Feb 2017

Rings finds a couple of nice, if inconsequential, little chills…

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Review of Pirates of the Caribbean: The Curse of the Black Pearl (2003)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 02 Feb 2017

The large cast, costumed and made up as filthy scalawags and sinister buccaneers, gives tremendous energy to every scene…

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Review of Inside Man (2006)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 02 Feb 2017

This is the mother lode all action/suspense directors search for and Lee, who usually doesn't work in that genre, has hit it…

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Review of Newness (2017)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2017

As a sympathetic look at two likeable lovers who don't know what's good for them, it's enough to give us a rooting interest — even if we're…

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Review of Super Dark Times (2017)

By Neil Young (78) for The Hollywood Reporter (7,050) on 02 Feb 2017

Strikingly shot, edited and scored, with convincing and vivid performances from a youthful cast, the picture loses its footing in the final…

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Review of Brigsby Bear (2017)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2017

Kyle Mooney (a longtime McCary collaborator on Saturday Night Live and elsewhere) is winning in the lead role, naive but not cartoonishly so…

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Review of Eloise (2016)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2017

A deeply unpromising debut horror flick by visual-effects veteran Robert Legato…

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Review of The Grace of Jake (2017)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Feb 2017

Things get a bit busier than this modest film requires, but rural languor prevails in the end — if not with the grace of the title, at least…

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Review of Lost in Florence (2017)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 02 Feb 2017

What the film doesn’t have is anything resembling a compelling narrative…

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Review of The Lucky Ones (2008)

By Sura Wood (36) for The Hollywood Reporter (7,050) on 01 Feb 2017

This moderately engaging, offbeat film requires a patience that audiences haven't demonstrated recently for stories concerning the fate of…

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Review of Ingrid Goes West (2017)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 01 Feb 2017

Even though this feature debut for director Matt Spicer, who co-wrote the script with David Branson Smith, is sort of all over the place, it’s…

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Review of Journey to the West: The Demons Strike Back (2017)

By Clarence Tsui (39) for The Hollywood Reporter (7,050) on 01 Feb 2017

The Demon Strikes Back soldiers loudly along, alternating between high-octane, digitally enhanced skirmishes and the equally cacophonic bickering…

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Review of Oklahoma City (2017)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 01 Feb 2017

Beyond its message, however, and despite some unfortunate omissions in the history it recounts, the film succeeds as one of the most gripping…

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Review of Made of Honor (2008)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 29 Jan 2017

Has something a bit edgier in mind than the usual, soft-focused wedding bell high jinks…

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Review of To the Bone (2017)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 29 Jan 2017

Noxon, who also wrote the screenplay, manages to explore dark and complex issues while frequently leavening them with unexpected moments of humor…

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Review of Thoroughbreds (2018)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 29 Jan 2017

Thankfully, Finley isn’t only adept at writing and directing good dialogue but he also understands how images and sounds can enhance his story…

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Review of XX (2017)

By David Rooney (943) for The Hollywood Reporter (7,050) on 29 Jan 2017

The package mixes existential creepiness with black comedy, demonic carnage and a Satan's spawn scenario, and while it's uneven — as these…

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Review of To the Bone (2017)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 29 Jan 2017

Noxon, who also wrote the screenplay, manages to explore dark and complex issues while frequently leavening them with unexpected moments of humor…

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Review of Dayveon (2017)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 28 Jan 2017

Intriguing formal noodlings can’t disguise the cliches in the script. Even so, it’s clear that Abbasi has talent and ambition…

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