Movie Reviews Published by The Hollywood Reporter - Page 153 of 353

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Review of Water & Power: A California Heist (2017)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 02 Mar 2017

In Water & Power: A California Heist, Zenovich tackles a subject of enormous importance, but fails to match that import with dramatic storytelling…

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Review of Donald Cried (2017)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 02 Mar 2017

Donald Cries demonstrates that cringeworthy isn’t necessarily the same as funny…

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Review of Junction 48 (2016)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 02 Mar 2017

While the fuzzy take-home message of peaceful coexistence is something most viewers can get behind, it is also too simplistic and banal to…

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Review of Ultraviolet (2006)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 01 Mar 2017

The latest entry in the This film is so bad we're not screening it for critics genre…

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Review of Table 19 (2017)

By Jon Frosch (191) for The Hollywood Reporter (7,050) on 01 Mar 2017

Mixing touchy-feely, sub-Sundance quirk, a studio comedy’s penchant for pratfalls and dick jokes, and unabashed John Hughes nostalgia, the…

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Review of Love Ranch (2010)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 28 Feb 2017

Thanks to the great Helen Mirren as the wife and Spanish actor Sergio Peris-Mencheta as the boxer, the film does create a convincing portrait…

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Review of Bitter Harvest (2017)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 23 Feb 2017

This is the sort of bad film that can only come about as the result of misguided ambitions…

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Review of Dying Laughing (2017)

By Sheri Linden (962) for The Hollywood Reporter (7,050) on 23 Feb 2017

Though the engaging documentary treads through unavoidably familiar territory — the loneliness of the road, the anguish of bombing — its…

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Review of Burning Sands (2017)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 23 Feb 2017

First-time director McMurray, who worked as an associate producer on Fruitvale Station, does a decent job of staging the action and maintaining…

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Review of Spring Fever (2009)

By Maggie Lee (98) for The Hollywood Reporter (7,050) on 22 Feb 2017

Artistically uneven, emotionally strained but at times sullenly poetic depiction of a sexually confused love pentangle…

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Review of Step (2017)

By David Rooney (943) for The Hollywood Reporter (7,050) on 22 Feb 2017

Emotionally involving material is the key element to a good human-interest documentary, and Lipitz, a Baltimore native with a background in…

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Review of Titanic (1997)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 21 Feb 2017

Narratively, Titanic is a masterwork of big-canvas storytelling, broad enough to entrance and entertain yet precise and delicate enough to…

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Review of Have a Nice Day (2018)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 21 Feb 2017

Like in any good genre yarn, there are a lot of unexpected twists and turns as characters run into each other — often quite literally and…

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Review of Have a Nice Day (2018)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 21 Feb 2017

Like in any good genre yarn, there are a lot of unexpected twists and turns as characters run into each other — often quite literally and…

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Review of Have A Nice Day (2018)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 21 Feb 2017

Like in any good genre yarn, there are a lot of unexpected twists and turns as characters run into each other — often quite literally and…

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Review of The Dinner (2017)

By Boyd Van Hoeij (303) for The Hollywood Reporter (7,050) on 18 Feb 2017

A high-carat cast...tears into the juicy material with relish for the most part, but by trying to keep the prolonged sit-down affair from becoming…

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Review of Félicité (2017)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 18 Feb 2017

It’s intense if somewhat choppy filmmaking, although the passion of the amateur cast and vividness of the Kinshasa locations help make up…

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Review of A Fantastic Woman (2017)

By David Rooney (943) for The Hollywood Reporter (7,050) on 17 Feb 2017

Shocking and enraging, funny and surreal, rapturous and restorative, this is a film of startling intensity and sinuous mood shifts wrapped…

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Review of The Other Side of Hope (2017)

By David Rooney (943) for The Hollywood Reporter (7,050) on 17 Feb 2017

While the film depicts a world seldom far removed from grim reality, the sly strain of humor keeps it buoyant, nowhere more so than in Kaurismaki’s…

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Review of On the Beach at Night Alone (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 17 Feb 2017

The story is scarce to non-existent, but Kim Min-hee in the main role keeps the audience awake, waiting for her next socially uncensored outburst…

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