Movie Reviews Published by The Hollywood Reporter - Page 146 of 353

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Review of Churchill (2017)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 28 May 2017

Australian director Jonathan Teplitzky has fashioned a small-scale chamber drama from huge historical events, with a functional script and…

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Review of Observe and Report (2009)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 28 May 2017

Barring a Terry Zwigoff return to Bad Santa territory, it's hard to imagine a filmmaker embracing this dubious hero to the extent writer-director…

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Review of Faces Places (2017)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 27 May 2017

The two creators hit it off famously and collaborate with great ease on a journey driven by mutual curiosity and creative application…

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Review of Happy End (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 26 May 2017

Even admitting that films like Cache (Hidden), The White Ribbon and Amour have raised the bar higher and higher, Happy End feels like it’s…

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Review of Loveless (2011)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 26 May 2017

With his devastating, finely layered new drama Loveless (Nelyubov), Russian director Andrey Zvyagintsev once again demonstrates his remarkable…

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Review of Loveless (2017)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 26 May 2017

With his devastating, finely layered new drama Loveless (Nelyubov), Russian director Andrey Zvyagintsev once again demonstrates his remarkable…

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Review of You Were Never Really Here (2017)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 26 May 2017

This intoxicatingly stylish work is all over the place, a hot mess at times so ravishing it sends shivers down to the toes…

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Review of BPM (Beats per Minute) (2017)

By David Rooney (943) for The Hollywood Reporter (7,050) on 25 May 2017

His new film acquires considerable urgency and raw emotional power in the closing stretch…

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Review of In the Fade (2017)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 25 May 2017

Following the fizzle of his coming-of-ager Goodbye Berlin (Tschick) last year, Fatih Akin bounces back and bounces high with an edge-of-seat…

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Review of The Rider (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 25 May 2017

The Rider is a rare gem, a small, acutely observed portrait of a few lives on what used to be the frontier but is now a desolate backwater,…

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Review of Good Time (2017)

By David Rooney (943) for The Hollywood Reporter (7,050) on 24 May 2017

This is a richly textured genre piece that packs a visceral charge in its restless widescreen visuals and adrenalizing music…

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Review of The Square (2017)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 24 May 2017

What’s perhaps most impressive about Ostlund’s evolving style as a filmmaker and social commentator is his compulsion to enrich every scene…

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Review of Joshua: Teenager vs. Superpower (2017)

By Duane Byrge (235) for The Hollywood Reporter (7,050) on 24 May 2017

Joshua: Teenager vs. Super Power is actually a rousing documentary on a youth movement against, essentially, educational brainwashing…

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Review of Inception (2010)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 24 May 2017

In a summer of remakes, reboots and sequels comes Inception, easily the most original movie idea in ages…

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Review of Imagine That (2009)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 24 May 2017

The result is a much more playable film than recent efforts, though Murphy will have to share the applause with young Yara Shahidi…

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Review of Claire's Camera (2018)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 23 May 2017

Feeling more spontaneous and improvised than ever, this tale of chance encounters at a big film festival is easy on the eye and strewn with…

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Review of The Florida Project (2017)

By David Rooney (943) for The Hollywood Reporter (7,050) on 23 May 2017

What saves the movie's sobering latter developments, giving it an emotional wallop that overrides the flaws, is partly the sadness playing…

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Review of Blade of the Immortal (2017)

By Harry Windsor (30) for The Hollywood Reporter (7,050) on 23 May 2017

Miike’s facility for the sharply sketched portrait, in between bouts of bladed mayhem, remains as shrewd as ever…

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Review of Wonderstruck (2017)

By David Rooney (943) for The Hollywood Reporter (7,050) on 22 May 2017

Alive with the magic of pictures and the mysteries of silence, this is an uncommonly grownup film about children, communication, connection…

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Review of Mail Order Bride (2003)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 22 May 2017

Ultimately unable to overcome both its amateurish qualities and its overly familiar elements…

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