Movie Reviews Published by The Hollywood Reporter - Page 106 of 353

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Review of The Biggest Little Farm (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 11 Sep 2018

Running a farm is a tough life of never-ending work, and once the film drops its initial idealization of back-to-the-land fantasies in favor…

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Review of Her Smell (2019)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 11 Sep 2018

In what does have to be perversely honored as some kind of special accomplishment for Moss as a performer, Becky sustains such an abusive,…

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Review of Freaks (2019)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 11 Sep 2018

Although in the early going the convoluted plot sometimes struggles to maintain interest, Stein and Lipovsky have such a clear vision that…

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Review of Quincy (2018)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 11 Sep 2018

Quincy is an unapologetically partisan insider's portrait…

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Review of Out of Blue (2019)

By Leslie Felperin (768) for The Hollywood Reporter (7,050) on 11 Sep 2018

Out of Blue is one of those films you're not sure if you really enjoyed viewing, but you're immensely glad that it exists, cheered to know…

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Review of The Basement (2018)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 11 Sep 2018

For all its vividly and realistically rendered graphic violence and gore, The Basement is an example of torture porn at its most ironic…

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Review of Life Itself (2018)

By David Rooney (943) for The Hollywood Reporter (7,050) on 10 Sep 2018

It’s contrived at every turn and talky like a French film, though 100 percent American indie in its earnest conviction that it’s saying…

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Review of Reversing Roe (2018)

By Caryn James (352) for The Hollywood Reporter (7,050) on 10 Sep 2018

[A] solid, straightforward history of abortion rights in America…

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Review of mid90s (2018)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 10 Sep 2018

A gender-flipped sibling to Crystal Moselle's Skate Kitchen (set in Los Angeles versus that film's NYC), its narrative of sudden belonging…

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Review of Monrovia, Indiana (2018)

By Deborah Young (235) for The Hollywood Reporter (7,050) on 10 Sep 2018

The film has its resonant moments, notably a wedding and a funeral…

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Review of High Life (2018)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 10 Sep 2018

Without Denis’ typically transfixing aesthetics and with a storyline that lumbers along in places, High Life is not always an easy sit, even…

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Review of High Life (2019)

By Jordan Mintzer (201) for The Hollywood Reporter (7,050) on 10 Sep 2018

Without Denis’ typically transfixing aesthetics and with a storyline that lumbers along in places, High Life is not always an easy sit, even…

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Review of Bel Canto (2018)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 09 Sep 2018

The film benefits from the fine cast and from many sharp and poignant moments. It's an impressive achievement technically as well…

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Review of If Beale Street Could Talk (2018)

By David Rooney (943) for The Hollywood Reporter (7,050) on 09 Sep 2018

If the movie’s slow burn seems to build toward a powerful release that doesn’t materialize, the sheer beauty of its craft and the heartfelt…

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Review of Greta (2019)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 09 Sep 2018

The filmmaker's expressively cockeyed impulses soon take over (he's ably assisted by the terrific cinematographer Seamus McGarvey), and the…

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Review of Gloria Bell (2019)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 09 Sep 2018

Crucially, like its predecessor, Gloria Bell maintains a warm but rigorously unsentimental tone despite material which could easily lend itself…

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Review of American Chaos (2018)

By Stephen Farber (295) for The Hollywood Reporter (7,050) on 09 Sep 2018

Stern's melancholy on election night in 2016 is genuinely affecting, but despite some incisive footage en route to the depressing conclusion,…

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Review of The Great Buster: A Celebration (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 09 Sep 2018

The mix of commentators is unusual and lively, hardly the usual crowd that often pops up in documentaries like this, the clips are illustrative…

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Review of The Hate U Give (2018)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 09 Sep 2018

Viewers who've actually been in the protest trenches may long for a grittier take…

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Review of Widows (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 08 Sep 2018

Widows is a solid piece of genre fiction made more resonant by how its creators have bored down into its characters and sociological implications…

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