Movie Reviews Published by The Hollywood Reporter - Page 101 of 353

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Review of Elliot: The Littlest Reindeer (2018)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 28 Nov 2018

The chief saving grace of Elliot: The Littlest Reindeer is its auspicious voice cast including Josh Hutcherson, Samantha Bee, John Cleese and…

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Review of Mowgli: Legend of the Jungle (2018)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 28 Nov 2018

Andy Serkis' decidedly non-Disney Mowgli: Legend of the Jungle may have intended to offer a darker, grittier take on the classic Kipling stories,…

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Review of Invisible Hands (2018)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 26 Nov 2018

Modest in aesthetic terms but more jounalistically serious than many low-budget advocacy docs, the film will be an eye-opener for some, and…

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Review of The Cleaners (2018)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 21 Nov 2018

Eighty-eight minutes is not nearly enough time to give full attention to every thread of critique here, but The Cleaners does a respectable…

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Review of Robin Hood (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 20 Nov 2018

Mendelsohn's villain is boringly one-note, Eve Hewson's Marion uses an incongruous Yank accent and always looks as though she's just stepped…

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Review of Say Her Name: The Life and Death of Sandra Bland (2018)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 18 Nov 2018

What the film does best is bear witness to what happened on the day of the arrest and place it in the context of Bland's political life…

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Review of Creed II (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 16 Nov 2018

Slack and unexciting compared to Ryan Coogler's blisteringly good 2015 reconception of a 1970s icon for modern audiences, this follow-up is…

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Review of Mobile Homes (2017)

By Stephen Dalton (194) for The Hollywood Reporter (7,050) on 16 Nov 2018

This unflinching yet compassionate depiction of marginalized misfits boasts a few pleasingly poetic flourishes, but it suffers from some common…

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Review of Red Road (2006)

By Kirk Honeycutt (1,481) for The Hollywood Reporter (7,050) on 15 Nov 2018

You might call the film Rear Window Times 100…

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Review of Speed Kills (2018)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 15 Nov 2018

Scurfield's directing debut is marred by all manner of clunkiness, from the embarrassing performance of Kellan Lutz (playing Lansky's chip-on-shoulder…

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Review of Welcome Home (2018)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 15 Nov 2018

Attempting to be a cautionary tale for the Airbnb era, the pic squanders its potential with ham-fisted execution…

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Review of The Last Race (2018)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 15 Nov 2018

Unconventional in style and contemplative in tone, The Last Race represents more of a living document of a dwindling American subculture than…

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Review of The Clovehitch Killer (2018)

By Justin Lowe (291) for The Hollywood Reporter (7,050) on 15 Nov 2018

More reliant on atmosphere than action to build suspense, Duncan Skiles’ The Clovehitch Killer offers an intriguing perspective on the darker…

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Review of 55 Steps (2018)

By Keith Uhlich (870) for The Hollywood Reporter (7,050) on 15 Nov 2018

Scene by scene you wish 55 Steps made you angrier than it does…

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Review of Family in Transition (2018)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 15 Nov 2018

Family in Transition stands out both for the particularities inherent in its setting and the deeply sympathetic individuals at its center…

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Review of Ralph Breaks the Internet (2018)

By Michael Rechtshaffen (1,086) for The Hollywood Reporter (7,050) on 14 Nov 2018

A turbo-charged satire that swaps out Gen X video arcade nostalgia for our current, all-consuming social-media-fueled obsession, the endlessly…

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Review of Bird Box (2018)

By Todd Mccarthy (1,810) for The Hollywood Reporter (7,050) on 13 Nov 2018

This is a wannabe shocker with a clever premise that doesn't really get down and dirty or betray the base instincts of a born horror filmmaker…

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Review of Amazing Grace (2018)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 13 Nov 2018

Amazing Grace will not enter the pantheon of concert films — it's somewhat shapeless as a movie, and gives little sense of emotional insight…

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Review of Postcards from London (2018)

By Frank Scheck (1,741) for The Hollywood Reporter (7,050) on 12 Nov 2018

Although Postcards From London ultimately doesn't quite live up to its considerable ambitions, it offers plenty of arresting moments along the way…

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Review of Fail State (2018)

By John Defore (1,351) for The Hollywood Reporter (7,050) on 12 Nov 2018

It gives the feature doc treatment to a topic TV journalists (and news-comedy hero John Oliver) have looked at over the decades — showing…

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