Movie Reviews Published by The Guardian - Page 78 of 149

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Review of Harriet (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 11 Sep 2019

The result falls somewhere between a slave-escape drama, an action thriller, a western and even an unexpected kind of superhero film…

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Review of Ford v Ferrari (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 10 Sep 2019

It is crammed with unearned emotional moments and factory-built male characters whose dedication to their sport we are expected to find adorable…

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Review of The Aeronauts (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 10 Sep 2019

It is a film with charm and the chemistry between Jones and Redmayne has something rather platonic and even sibling-like, but that isn’t…

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Review of Radioactive (2020)

By Charles Bramesco (223) for The Guardian (2,969) on 10 Sep 2019

The admiration for a woman who knew so much about so much clashes with the unspoken assumption that the audience knows absolutely nothing about…

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Review of Bad Education (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 10 Sep 2019

It’s a slight movie at times, unfocused at others, even plodding in parts, and I didn’t leave the cinema entirely convinced that it was…

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Review of Uncut Gems (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 10 Sep 2019

It’s a remarkable match-up between film-makers and actor and reaffirms the importance of that partnership, especially for a movie star stuck…

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Review of Downton Abbey (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 09 Sep 2019

The plots are rickety and the characterisation has the depth of a Franklin Mint plate, but there are some funny moments and Kevin Doyle, playing…

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Review of Jojo Rabbit (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 09 Sep 2019

It’s oddly safe, given the subject matter, and the humour is similarly sanitised…

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Review of Blackbird (2020)

By Benjamin Lee (469) for The Guardian (2,969) on 08 Sep 2019

It’s less of a film and more of an actors’ workshop, an exercise for everyone involved but meaningless to us…

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Review of Honey Boy (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 08 Sep 2019

For LaBeouf, the script was quite literally a form of therapy for deep-rooted issues he still struggles with and as such, it’s an inventive…

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Review of Scarborough (2018)

By Leslie Felperin (768) for The Guardian (2,969) on 08 Sep 2019

The performances are strong and full of passionate conviction, which somewhat moderates the problematic aspects, while the use of natural light…

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Review of Just Mercy (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 08 Sep 2019

Cretton…

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Review of The Goldfinch (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 08 Sep 2019

It’s neither a rousing success nor an embarrassing failure, falling somewhere in between, closer to admirable attempt…

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Review of Hustlers (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 07 Sep 2019

Lopez slinks through Hustlers with a deceptive ease, as in control of the film as her character is of her situation…

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Review of Knives Out (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 07 Sep 2019

A contemporary whodunnit that both respects and revises the subgenre…

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Review of Waves (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 07 Sep 2019

So there are two films here: one is frightening and poignant and the other tender but slight…

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Review of Waves (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 07 Sep 2019

So there are two films here: one is frightening and poignant and the other tender but slight…

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Review of Ne Zha (2019)

By Cath Clarke (570) for The Guardian (2,969) on 05 Sep 2019

I enjoyed the jolt of strangeness delivered by this world of demons stalking the Earth. But the action is hit-and-miss…

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Review of The Legend of Nezha (2018)

By Cath Clarke (570) for The Guardian (2,969) on 05 Sep 2019

I enjoyed the jolt of strangeness delivered by this world of demons stalking the Earth. But the action is hit-and-miss…

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Review of It Chapter Two (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 03 Sep 2019

Like the first film, it becomes a virtual non-narrative anthology of standard jump-scares that could be reshuffled and shown in any order…

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