Movie Reviews Published by The Guardian - Page 76 of 149

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Review of The Last Tree (2020)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 10 Oct 2019

It’s a charismatic performance from Adewunmi, and Amoo’s camera often comes in close to his face and his gaze, suggesting that Femi is…

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Review of American Woman (2019)

By Cath Clarke (570) for The Guardian (2,969) on 10 Oct 2019

Despite featuring big-name actors – Miller, Paul and Mad Men’s Christina Hendricks as Debra’s sister – American Woman is a film with…

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Review of The Dead Center (2019)

By Mike Mccahill (552) for The Guardian (2,969) on 10 Oct 2019

What’s crucial is how Senese and cinematographer Andy Duensing film these elements: patiently, attentively, with a feel for space and ambient…

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Review of Citizen K (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 10 Oct 2019

[Gibney's] film does present Khodorkovsky in context in a way that I haven’t seen before…

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Review of Rapid Response (2019)

By Leslie Felperin (768) for The Guardian (2,969) on 04 Oct 2019

There are some neat, borderline gory animations to illustrate how concussions work, which for this viewer were a lot more interesting than…

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Review of The Climbers (2019)

By Mike Mccahill (552) for The Guardian (2,969) on 04 Oct 2019

The gusto and pace put many of 2019’s American blockbusters to shame, and – right through to a wildly overcranked final act that throws…

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Review of In the Tall Grass (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 04 Oct 2019

While some of the nastier lurches in the third act will appease genre fans, the guff that surrounds them will probably confuse and ultimately…

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Review of Gemini Man (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 04 Oct 2019

The digital novelty is striking for the first 10 minutes, silly for the next 10 minutes, and by the end of the movie you’re pining for the…

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Review of Hotel Mumbai (2019)

By Mike Mccahill (552) for The Guardian (2,969) on 03 Oct 2019

Art born of outrage has to be more rigorous – and we might also contemplate what merit there is in guaranteeing prospective terrorists a…

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Review of Joker (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 03 Oct 2019

This Joker has just one act in him: the first act. The film somehow manages to be desperately serious and very shallow…

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Review of The Irishman (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 27 Sep 2019

There’s an almost meta-maturity, as if Scorsese is also looking back on his own career, the film leaving us with a haunting reminder not…

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Review of Don't Let Go (2019)

By Cath Clarke (570) for The Guardian (2,969) on 26 Sep 2019

Even with an intelligent, credible performance by David Oyelowo, the daftness and utter implausibility of a smartphone so smart it can make…

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Review of Sea of Shadows (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 26 Sep 2019

It is heartfelt, but its periodic attempts at thriller-style bouts of excitement are redundant, and I wondered sometimes if the film-makers…

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Review of Memory: The Origins of Alien (2019)

By Phil Hoad (110) for The Guardian (2,969) on 26 Sep 2019

What this solemn and enlivening documentary plunge into the history of Ridley Scott’s sci-fi classic reiterates is the idea of film as a…

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Review of In the Shadow of the Moon (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 26 Sep 2019

There’s a slicker, more coherent and ultimately more thematically audacious film to be made from the disparate elements that make up In the…

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Review of Aniara (2019)

By Leslie Felperin (768) for The Guardian (2,969) on 26 Sep 2019

With Aniara, the Swedish writing-directing team Pella Kågerman and Hugo Lilja deliver a cold, cruel, piercingly humane sci-fi parable that’s…

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Review of Clemency (2019)

By Benjamin Lee (469) for The Guardian (2,969) on 26 Sep 2019

There’s little room to breathe in writer-director Chinonye Chukwu’s constricting, devastating drama Clemency, an intentionally airless…

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Review of Guest of Honour (2020)

By Xan Brooks (287) for The Guardian (2,969) on 26 Sep 2019

I’m not convinced it amounts to any more than the sum of its parts, but the parts are intriguing – and some are possessed of real power…

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Review of Rojo (2019)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 26 Sep 2019

It’s a disquieting parable of iniquity…

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Review of La Flor (2019)

By Phil Hoad (110) for The Guardian (2,969) on 26 Sep 2019

You will no doubt bail out at some point – but that’s part of the deal. Llinás has done enough to make sure we come back…

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