Movie Reviews Published by The Guardian - Page 5 of 149

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Review of De Humani Corporis Fabrica (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 15 May 2023

Much of the film immerses us in an unknowable, unrecognisable world under the skin, without shape, without what Vesalius wanted to show us…

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Review of The Mother (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 11 May 2023

It’s a script which shows every sign of having had plenty of rewrites, though perhaps it could have done with a few more…

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Review of Hypnotic (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 11 May 2023

The goofier it all gets, the more one starts to warm to it, leaning further away from its initial A-trappings and nestling into a far more…

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Review of Huesera: The Bone Woman (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 10 May 2023

Perhaps this movie is a little anticlimactic, but there is often an atmosphere of real fear, especially when Natalia is driven to the edge…

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Review of Born to Fly (2023)

By Phil Hoad (110) for The Guardian (2,969) on 10 May 2023

Liu almost manages to throttle up how Lei and the instructors push themselves and their planes into something dramatically interesting, but…

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Review of Sansón and Me (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 09 May 2023

With this startling and sombre documentary, Mexican film-maker Rodrigo Reyes has conducted an experiment in verbatim cinema, or what you might…

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Review of Book Club: The Next Chapter (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 08 May 2023

The film is smothered with a syrup of condescension…

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Review of Love Again (2023)

By Adrian Horton (60) for The Guardian (2,969) on 05 May 2023

Love Again, by ceding some space to the Queen of Feelings, has moments that play…

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Review of Return to Seoul (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 04 May 2023

The implacable forces of nature, nurture and destiny are what this movie grapples with; it is a really emotional and absorbing drama about…

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Review of The Blue Caftan (2023)

By Cath Clarke (570) for The Guardian (2,969) on 03 May 2023

At times I wondered if the film is a bit too tasteful and tactful about the pain that Halim and Mina have to suppress, but still it’s a hugely…

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Review of One True Loves (2023)

By Phil Hoad (110) for The Guardian (2,969) on 02 May 2023

There is little payoff, with Fickman running shy of the full-blooded commitment to make his film a proper weepie and instead constantly reverting…

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Review of Peter Pan & Wendy (2023)

By Benjamin Lee (469) for The Guardian (2,969) on 28 Apr 2023

Lowery’s film mostly plays it safe, only slightly remixing the beats we know a little too well, wrapping them up in a pretty enough package…

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Review of Guardians of the Galaxy Vol. 3 (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 28 Apr 2023

Now Guardians of the Galaxy has reached the threequel stage: overlong, yes, and finally reaching for an importance and emotional closure (perhaps…

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Review of Big George Foreman (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Apr 2023

The movie thumps through successive events of Foreman’s amazing life in efficient, unsubtle, on-the-nose style, skating over his many marriages…

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Review of Little Richard: I Am Everything (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 27 Apr 2023

Little Richard emerges here as an exquisite figure, an aesthete and athlete: a butterfly who could never be broken on any wheel…

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Review of Polite Society (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 26 Apr 2023

Manzoor’s fight scenes, so amusingly executed by Kansara, effectively dramatise the terrible struggle that women are going to endure –…

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Review of Are You There God? It's Me, Margaret. (2023)

By Lauren Mechling (9) for The Guardian (2,969) on 25 Apr 2023

The film is an entertaining comedy that also happens to be a stunning evocation of the fear and yearning that come with standing on the precipice…

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Review of Stampede (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 25 Apr 2023

It’s a movie made dense and vehement with Julie’s passion for bikes and her angry sense of a death wish which is going to strike her, ahead…

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Review of Judy Blume Forever (2023)

By Lauren Mechling (9) for The Guardian (2,969) on 21 Apr 2023

Blume doesn’t present as somebody who is remotely besotted with herself. After all, keeping it real is her superpower…

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Review of How to Blow Up a Pipeline (2023)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 20 Apr 2023

Here, the pipeline destroyers are the good guys; an interesting genre twist though one which arguably defangs the film, just a little, removing…

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