Movie Reviews Published by The Guardian - Page 46 of 149

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Review of Fear Street: 1978 (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 07 Jul 2021

Netflix’s flashy RL Stine trilogy continues with a darker Friday the 13th-aping horror that brings more shocking gore and excellent performances…

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Review of Annette (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 06 Jul 2021

Annette is a forthright and declamatory and crazy spectacle, teetering over the cliff edge of its own nervous breakdown, demanding that we…

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Review of Kindred (2020)

By Steve Rose (110) for The Guardian (2,969) on 02 Jul 2021

Lawrance does a convincing job nonetheless, portraying Charlotte as a reasonable woman in unreasonable circumstances – but it’s Shaw who…

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Review of Kindred (2020)

By Steve Rose (110) for The Guardian (2,969) on 02 Jul 2021

Lawrance does a convincing job nonetheless, portraying Charlotte as a reasonable woman in unreasonable circumstances – but it’s Shaw who…

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Review of No Sudden Move (2021)

By Charles Bramesco (223) for The Guardian (2,969) on 02 Jul 2021

The overstuffed, better-keep-up narrative suits the film’s purposes, occupying audience attentions to leave them unprepared for the nimble…

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Review of The Tomorrow War (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 01 Jul 2021

It all feels like a heavy meal, and the action scenes and the creature effects are very derivative…

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Review of The Forever Purge (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 01 Jul 2021

It’s hard to know how seriously we’re supposed to take any of this when it’s so unclear what the makers’ intention is and so the film’s…

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Review of Lady Boss: The Jackie Collins Story (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 01 Jul 2021

In the end, Collins emerges as an opaque figure, as resistant to interpretation as her famously 2D fictional heroine Lucky Santangelo…

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Review of White on White (2021)

By Steve Rose (110) for The Guardian (2,969) on 01 Jul 2021

Director Théo Court does a fine job of capturing the barren beauty of this landscape and using it to suggest the broader moral vacuum…

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Review of America: The Motion Picture (2021)

By Charles Bramesco (223) for The Guardian (2,969) on 30 Jun 2021

Under Callaham’s inelegant pen, the characters all speak in this overexcited 13-year-old’s vernacular, prone to F-bombs and dick-talk…

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Review of Fear Street: 1994 (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 30 Jun 2021

There’s real, seat-edge fun to be had here, the sort of fun that’s too often missing from modern horror…

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Review of Black Widow (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 29 Jun 2021

For fans of Black Widow and everyone else, this episode is great fun and Harbour could well ascend to spinoff greatness of his own…

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Review of Vicious Fun (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 29 Jun 2021

Once the bloodletting starts, Calahan interleaves it with witty asides and the pacing picks up a lot, all combining to make this impish if…

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Review of The White Ribbon (2009)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 28 Jun 2021

The White Ribbon is a ghost story without a ghost, a whodunnit without a denouement, a historical parable without a lesson, and for two and…

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Review of F9 (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 25 Jun 2021

This deafening fantasia of internal and external combustion delivers outrageous action spectacle magnificently divorced from the rules of narrative…

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Review of The Ice Road (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 25 Jun 2021

While The Ice Road might not be quite as cut-and-paste as some of the others (there’s less revenge-taking, skill-listing and name-taking…

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Review of False Positive (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 25 Jun 2021

As the film crashes to a conclusion, early promise fading away, the film has the feeling of a valiant, but misguided, post-Get Out attempt…

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Review of Good on Paper (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 23 Jun 2021

It all goes off the rails in the worst way in the chaotic final act, as Schlesinger invents a farcical, and increasingly ludicrous, way to…

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Review of Sweat (2020)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 23 Jun 2021

This film isn’t really sure where it’s taking us and how, or if, it wants to surprise us, and the key scene with Klaudiusz doesn’t work…

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Review of Fatima (2020)

By Phil Hoad (110) for The Guardian (2,969) on 22 Jun 2021

Given the inherent lack of drama in the kind of unbreakable faith on display here, anyone wishing to tell the story needs to work much harder…

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