Movie Reviews Published by The Guardian - Page 33 of 149

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Review of Sensation (2021)

By Phil Hoad (110) for The Guardian (2,969) on 29 Dec 2021

There is a certain Cartesian buzz to be had from Sensation if you abandon all hope of following the plot, and let it wash over you…

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Review of The Matrix Resurrections (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 21 Dec 2021

This is a heavy-footed reboot which doesn’t offer a compelling reason for its existence other than to gouge a fourth income stream from Matrix…

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Review of Castle Falls (2021)

By Phil Hoad (110) for The Guardian (2,969) on 18 Dec 2021

Dolph Lundgren and Scott Adkins make a fine odd couple in this meatily satisfying action film – once it gets moving…

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Review of Nine Days (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 16 Dec 2021

Although arguably a smidge too ponderous and self-serious for its own good, Nine Days still represents a reasonably promising debut for its…

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Review of The Tender Bar (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Dec 2021

George Clooney has long been a force for good in movies and public life – but what a bafflingly bland, indulgent, gritless oyster of a film…

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Review of Swan Song (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Dec 2021

Mahershala Ali gives a heartfelt performance in this elegant and rather melancholy sci-fi mystery with which Irish film-maker Benjamin Cleary…

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Review of The Lost Daughter (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 16 Dec 2021

What is great about Colman’s performance is that it is always teetering on the brink of some new revelation about Leda: her face is subtly…

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Review of The King's Man (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 14 Dec 2021

Like a great big playful un-neutered pitbull, Matthew Vaughn’s new Kingsman movie comes crashing into our cinematic lives this Christmas,…

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Review of Spider-Man: No Way Home (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 13 Dec 2021

It’s flawed for sure but still moves with more deftness than most (arriving after Eternals is a blessing for any Marvel film) and there’s…

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Review of Citizen Ashe (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 09 Dec 2021

The issues involved here might have been discussed a little more extensively and the provenance and context of the TV interview archive material…

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Review of Nightmare Alley (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 09 Dec 2021

It’s [Del Toro’s] most strikingly beautiful film yet, a velvety, precisely styled noir with the year’s most impressively stacked cast…

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Review of Slumber Party Massacre (2021)

By Leslie Felperin (768) for The Guardian (2,969) on 09 Dec 2021

It all playfully flirts with horror film conventions, offering up a winking orgy of patently fake gore and irony that’s for the most part…

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Review of Being the Ricardos (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 07 Dec 2021

An oddity, in which all the characters seem to be avatars for the loquacious Sorkin himself…

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Review of Don't Look Up (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 07 Dec 2021

This film could have done something more convincing with that mode of reverse-vertigo hinted at in its title: that fear and willed blindness…

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Review of Betrayed (2021)

By Cath Clarke (570) for The Guardian (2,969) on 03 Dec 2021

It’s a film of desperately upsetting details…

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Review of Boxing Day (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 02 Dec 2021

Ameen has perfectly plausibly brought off a high-gloss mainstream picture with a big heart and a very nice supporting cast, including Stephen…

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Review of Boxing Day (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 02 Dec 2021

Ameen has perfectly plausibly brought off a high-gloss mainstream picture with a big heart and a very nice supporting cast, including Stephen…

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Review of Single All the Way (2021)

By Benjamin Lee (469) for The Guardian (2,969) on 02 Dec 2021

It’s pure mass market Christmas cookie cutter stuff that’s only made vaguely interesting in very short bursts because of its queerness…

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Review of West Side Story (2021)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 02 Dec 2021

West Side Story is contrived, certainly, a hothouse flower of musical theatre, and Spielberg quite rightly doesn’t try hiding any of those…

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Review of Even Mice Belong in Heaven (2021)

By Cath Clarke (570) for The Guardian (2,969) on 02 Dec 2021

It’s a shame that after that killer start, this wimps out of saying anything interesting about death or the adventure on the other side…

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