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Last updated: 09 Aug 2026 at 18:18 UTC

Movie Reviews Published by The Globe and Mail (Toronto) - Page 42 of 201

821-840 of 4,018 Reviews

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Review of Child's Play (2019)

By Chandler Levack (49) for The Globe and Mail (Toronto) (4,018) on 20 Jun 2019

Like every classic toy, the franchise has been remodelled in hopes of customer satisfaction…

Review of Toy Story 4 (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 19 Jun 2019

Still, once the end credits rolled – including superfluous “bonus” scenes wrapping up various narrative threads – I couldn’t help…

Review of Murder Mystery (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 14 Jun 2019

The new movie is dumb, pointless and completely bereft of laughs. It wastes a talented cast and all of your time…

Review of Shaft (2019)

By John Semley (121) for The Globe and Mail (Toronto) (4,018) on 13 Jun 2019

In its neediness to be liked, the new Shaft – the third of five films in the series to be titled, simply, Shaft – says everything and nothing…

Review of Late Night (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 13 Jun 2019

The best thing about Late Night, a new comedy about modern office life, is that it could be set in almost any workplace and still feel mostly…

Review of Men in Black: International (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 13 Jun 2019

Who needs original stars Will Smith and Tommy Lee Jones when you have, um…

Review of The Dead Don't Die (2019)

By John Semley (121) for The Globe and Mail (Toronto) (4,018) on 12 Jun 2019

For its slightness and silliness, its concerns are grander. Here, the undead ghouls represent nothing but the cold prospect of death itself…

Review of Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 11 Jun 2019

The entire production entertainingly coalesces into part concert doc, part cultural artifact, part “gotcha…

Review of The Secret Life of Pets 2 (2019)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 06 Jun 2019

The message of the film is that life throws surprises. While that is true, this predictable film itself is not one of them…

Review of Framing John DeLorean (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 06 Jun 2019

Framing John DeLorean is a film that delights in stretching the truth, so maybe its constant ignorance of Hamm’s work is just part of its…

Review of The Tomorrow Man (2019)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 05 Jun 2019

The quirky romantic comedy The Tomorrow Man relies on the believability of their late-in-life love in order for the film to work…

Review of Dark Phoenix (2019)

By John Semley (121) for The Globe and Mail (Toronto) (4,018) on 05 Jun 2019

A film so dull, flat, and totally joyless that, in the absence of anything compelling unfolding on screen, one’s mind may be forgiven for…

Review of Echo in the Canyon (2019)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 05 Jun 2019

The music’s evolution and crisscrossing pollination is explained well – Mr…

Review of Pavarotti (2019)

By Jenna Simeonov (1) for The Globe and Mail (Toronto) (4,018) on 05 Jun 2019

It’s a sweeping story, but for those already enamoured with “the people’s tenor, Pavarotti is unlikely to offer any new insights into his life…

Review of Mouthpiece (2019)

By Simon Houpt (42) for The Globe and Mail (Toronto) (4,018) on 05 Jun 2019

In revealing Cassandra’s interior life, Rozema lays bare the modern female condition in an epic battle that is by turns lacerating, soothing…

Review of The Souvenir (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 04 Jun 2019

The director’s semi-autobiographical, 1980s-set story may be small – it mostly focuses on the turbulent relationship between Julie and…

Review of Domino (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 04 Jun 2019

There is the overwhelming sense that Domino was not directed by any one person at all, but rather spliced and diced by committee into something…

Review of Domino (2019)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 03 Jun 2019

There is the overwhelming sense that Domino was not directed by any one person at all, but rather spliced and diced by committee into something…

Review of Always Be My Maybe (2019)

By Cliff Lee (8) for The Globe and Mail (Toronto) (4,018) on 03 Jun 2019

The journey here, over all, is still worth it, full of Asians making jokes, talking dirty and getting it on – like any good rom-com…

Review of Ma (2019)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 30 May 2019

Unfortunately, more often than not, Ma settles into its lack of a refined generic vision and stalls out just before it’s able to hit most…

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