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Last updated: 16 Jun 2026 at 05:29 UTC

Movie Reviews Published by The Globe and Mail (Toronto) - Page 15 of 201

281-300 of 4,018 Reviews

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Review of Prisoners of the Ghostland (2021)

By Barry Hertz (792) for The Globe and Mail (Toronto) (4,018) on 17 Sep 2021

It is an overstuffed, manic, exhausting piece of instant movie-meme catnip – likely impenetrable to all but the hardest of hardcore genre devotees…

Review of The Desperate Hour (2022)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

The chance to say something new or revealing about school shooters is squandered, and all the urgent reality runs out…

Review of Last Night in Soho (2021)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

Though visually sumptuous and a bunch of fun early on, Edgar Wright’s take on sixties and seventies horror eventually devolves into unsatisfying…

Review of The Starling (2021)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

Kline and McCarthy are lovely in their few scenes together (they’re the reason for that extra half-star) and for those brief moments, you…

Review of Titane (2021)

By Brad Wheeler (426) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

French director Julia Ducournau, however, delivers a mindblower that keeps you guessing for all of the film’s excellent 108 minutes…

Review of Charlotte (2022)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

Sometimes, the animators find an expressive style to match difficult content – a suicide, a mercy killing and several sex scenes – and…

Review of Spencer (2021)

By Chandler Levack (49) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

Spencer works best when Princess Diana gets to be wickedly alive – playing a game with her sons, joking with Hawkins on the beach…

Review of Bergman Island (2021)

By Chandler Levack (49) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

While the film first regales us in sightseeing tours of the scenic Faro Island, the film ends in an unexpected wallop of heartbreak as Chris…

Review of The Humans (2021)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 15 Sep 2021

The writer’s adage that the specific is universal comes fully alive in this family drama, written and directed by Stephen Karam, based on…

Review of Drive My Car (2021)

By Aparita Bhandari (53) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

Drive My Car is a beautiful and mellow ride, although you’ll need to stretch your legs after it ends…

Review of Montana Story (2022)

By Chandler Levack (49) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

Thanks to the specificity of Richardson’s performance in particular and Giles Nuttgen’s gorgeous cinematography (the movie is shot on 35…

Review of The Mad Women's Ball (2021)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

Laurent is determined in mapping the depiction of the patriarchal violence endured under both the supposition of scientific method as well…

Review of The Guilty (2021)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

Fuqua is reliable in his continued ability to craft tense and measured films for broad audiences looking for complicated tales of morality…

Review of The Eyes of Tammy Faye (2021)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

The director, Michael Showalter (The Big Sick), and the screenwriters Abe Sylvia, along with Fenton Bailey and Randy Barbato who made the 2000…

Review of Benediction (2022)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

The dialogue is quietly scathing, and the production values are sumptuous…

Review of Benediction (2021)

By Kate Taylor (347) for The Globe and Mail (Toronto) (4,018) on 13 Sep 2021

The dialogue is quietly scathing, and the production values are sumptuous…

Review of Kate (2021)

By Amil Niazi (12) for The Globe and Mail (Toronto) (4,018) on 12 Sep 2021

It’s a shame that both Umair Aleem’s script and Cedric Nicolas-Troyan’s (The Huntsman: Winter’s War) direction ultimately feel rote…

Review of The Card Counter (2021)

By Sarah-Tai Black (68) for The Globe and Mail (Toronto) (4,018) on 12 Sep 2021

There is an urgency to these stylistic choices which ask us how we might best realize, through image and sound, both the memory and feeling…

Review of Huda's Salon (2022)

By Aparita Bhandari (53) for The Globe and Mail (Toronto) (4,018) on 11 Sep 2021

Although the film doesn’t fully deliver on the political-thriller element, it asks some powerful questions: How does violence become intimate,…

Review of Dear Evan Hansen (2021)

By Johanna Schneller (84) for The Globe and Mail (Toronto) (4,018) on 11 Sep 2021

The songs are clever; the actors dig in (especially Amy Adams and Julianne Moore as Connor and Evan’s moms, respectively)…

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