Movie Reviews Published by The Gate - Page 3 of 9

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Review of Bodied (2018)

By Andrew Parker (194) for The Gate (178) on 09 Nov 2018

It's shaggy, overlong, and sometimes tough to take, but ultimately if one can listen or read between the bars being spit, Bodied is smart and…

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Review of The Grinch (2018)

By Andrew Parker (194) for The Gate (178) on 09 Nov 2018

It won't make anyone's heart grow two sizes, but it could leave viewers with an ear-to-ear grin…

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Review of The Girl in the Spider's Web (2018)

By Andrew Parker (194) for The Gate (178) on 07 Nov 2018

No one will ever confuse The Girl in the Spider's Web for high art, and I for one am okay with it…

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Review of In Search of Greatness (2018)

By Andrew Parker (194) for The Gate (178) on 07 Nov 2018

Polsky's overall playfulness speaks to the truth and honesty at the heart of In Search of Greatness…

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Review of Outlaw King (2018)

By Andrew Parker (194) for The Gate (178) on 07 Nov 2018

The light beer equivalent of Braveheart, David Mackenzie's competent, but relatively pointless epic Outlaw King has plenty of bloodshed, lots…

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Review of Overlord (2018)

By Andrew Parker (194) for The Gate (178) on 07 Nov 2018

80% war movie, 20% horror flick, and 100% fun, director Julius Avery's gory throwback adventure and exploitation picture Overlord is one of…

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Review of The Other Side of the Wind (2018)

By Andrew Parker (194) for The Gate (178) on 05 Nov 2018

The Other Side of the Wind is the type of film I wish I had weeks to discuss instead of mere hours…

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Review of Bohemian Rhapsody (2018)

By Andrew Parker (194) for The Gate (178) on 02 Nov 2018

The film gets out of the way of Malek's performance, but it never gives him anything back…

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Review of The Nutcracker and the Four Realms (2018)

By Andrew Parker (194) for The Gate (178) on 02 Nov 2018

It's never offensively awful or unbearable to behold, but every second of The Nutcracker and the Four Realms smacks of continually missed opportunities…

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Review of Suspiria (2018)

By Andrew Parker (194) for The Gate (178) on 02 Nov 2018

Suspiria lacks any semblance of humour or playfulness, making it an absolute chore to sit through unless you're predisposed to adore cinematic…

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Review of Monrovia, Indiana (2018)

By Andrew Parker (194) for The Gate (178) on 30 Oct 2018

These threads are picked up mostly through Wiseman's keen powers of observation, and his ability to construct such narratives without spoon…

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Review of Room for Rent (2017)

By Andrew Parker (194) for The Gate (178) on 25 Oct 2018

It's not a gut-buster, but Room for Rent certainly hits a pleasing, enjoyable comedic sweet spot…

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Review of Shirkers (2018)

By Andrew Parker (194) for The Gate (178) on 25 Oct 2018

Shirkers is part personal essay, part collage, part mystery, part mea culpa, and wholly entertaining…

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Review of What They Had (2018)

By Andrew Parker (194) for The Gate (178) on 24 Oct 2018

The key to buying into a film like What They Had is believing that the characters could be people viewers know and that their struggles could…

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Review of mid90s (2018)

By Andrew Parker (194) for The Gate (178) on 24 Oct 2018

Mid90s mostly feels like a cultural experiment for Hill…

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Review of Johnny English Strikes Again (2018)

By Andrew Parker (194) for The Gate (178) on 24 Oct 2018

Strained, laboured, and drenched in buckets of its own flop sweat, Johnny English Strikes Again is an almost offensively awful and dispiritingly…

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Review of The Happy Prince (2018)

By Andrew Parker (194) for The Gate (178) on 22 Oct 2018

Wilde was wildly self-indulgent, so that's somewhat forgivable, but it's a take on his life so resolutely focused on wallowing in that one…

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Review of Beautiful Boy (2018)

By Andrew Parker (194) for The Gate (178) on 22 Oct 2018

Considering that Beautiful Boy is based on a true story, the final results feel like a slap across the face of anyone trying to cope with similarly…

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Review of The Oath (2018)

By Andrew Parker (194) for The Gate (178) on 22 Oct 2018

Cranked to eleven at all times, The Oath is meant to mimic the frustrating and often fruitless task of seriously talking about politics in…

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Review of Studio 54 (2018)

By Andrew Parker (194) for The Gate (178) on 22 Oct 2018

It's a look at what it was like to be in the offices and the front lines, which is arguably a much more interesting story…

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