Movie Reviews Published by The Film Stage - Page 87 of 159

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Review of In the Fade (2017)

By Rory O'connor (154) for The Film Stage (3,162) on 26 May 2017

It’s a solid stab at the socially conscious mainstream flick for Akin, especially after he faltered somewhat with his last political film…

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Review of Drone (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 26 May 2017

Bean’s naturalism and ease helps a lot (he is really quite good), but it is not enough to carry a film that feels this narratively exploitative…

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Review of The Florida Project (2017)

By Rory O'connor (154) for The Film Stage (3,162) on 25 May 2017

Baker indulges just a little too much time shooting his young hyperactive actors in off-key locations and perhaps not enough on their character…

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Review of BPM (Beats per Minute) (2017)

By Jordan Ruimy (242) for The Film Stage (3,162) on 25 May 2017

Through effective direction, the activism on display here is inspiring enough to rile one up to set aside preoccupations and try to make a…

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Review of Drone (2017)

By Mike Mazzanti (39) for The Film Stage (3,162) on 25 May 2017

Bean’s naturalism and ease helps a lot (he is really quite good), but it is not enough to carry a film that feels this narratively exploitative…

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Review of The Rider (2018)

By Ed Frankl (41) for The Film Stage (3,162) on 25 May 2017

Zhao’s combination of the visual palette of Terrence Malick, the social backbone of Kelly Reichardt, and the spontaneity of John Cassavetes…

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Review of The Square (2017)

By Rory O'connor (154) for The Film Stage (3,162) on 24 May 2017

While The Square is not as slick and streamlined a film as Force Majeure it still hunts for that same meaty psychological game and is never…

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Review of A Gentle Creature (2017)

By Giovanni Marchini Camia (57) for The Film Stage (3,162) on 24 May 2017

Though not as successful as its predecessor, Loznitsa's latest nonetheless confirms the director's place of honor amongst cinema's most vociferous…

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Review of The Beguiled (2017)

By Rory O'connor (154) for The Film Stage (3,162) on 23 May 2017

Coppola and her production team — including The Grandmaster cinematographer Philippe Le Sourd — have created a fully realized world of…

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Review of Baywatch (2017)

By Dan Mecca (208) for The Film Stage (3,162) on 23 May 2017

There’s a severe tonal problem this movie never reconciles…

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Review of The Killing of a Sacred Deer (2017)

By Giovanni Marchini Camia (57) for The Film Stage (3,162) on 21 May 2017

Even the most generous of viewers couldn’t come up with a legitimate reason for the vileness on show here, other than pure and simple sadism…

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Review of Pirates of the Caribbean: Dead Men Tell No Tales (2017)

By Chelsey Grasso (12) for The Film Stage (3,162) on 21 May 2017

As the coldly calculated Pirates of the Caribbean: Dead Men Tell No Tales proves, it is time to let this series rest in peace, or at the very…

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Review of The King (2018)

By Rory O'connor (154) for The Film Stage (3,162) on 21 May 2017

If Jarecki struggles a little with this alchemy at times it is because Promised Land is essentially three movies in one: a detailed account…

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Review of The King (2021)

By Rory O'connor (154) for The Film Stage (3,162) on 21 May 2017

An abstract road movie, fueled on disillusionment and rock and roll, and one that attempts quite an ambitious task…

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Review of The King (2017)

By Rory O'connor (154) for The Film Stage (3,162) on 21 May 2017

An abstract road movie, fueled on disillusionment and rock and roll, and one that attempts quite an ambitious task…

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Review of The Meyerowitz Stories (New and Selected) (2017)

By Rory O'connor (154) for The Film Stage (3,162) on 20 May 2017

Stiller and Sandler strike a warm and believably awkward brotherly connection, hitting some real on screen highs as they sit around the piano…

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Review of Martyrs (2008)

By Amanda Waltz (38) for The Film Stage (3,162) on 19 May 2017

Whereas Laugier’s creation forces the viewer to endure and consider every punch, kick, slap, and slice inflicted upon the female protagonists,…

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Review of Okja (2017)

By Giovanni Marchini Camia (57) for The Film Stage (3,162) on 19 May 2017

Not only is Mija’s mission genuinely involving, but Bong and his co-writer, the author Jon Ronson, also get great comic mileage out of satirizing…

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Review of Martyrs (2015)

By Amanda Waltz (38) for The Film Stage (3,162) on 19 May 2017

Whereas Laugier’s creation forces the viewer to endure and consider every punch, kick, slap, and slice inflicted upon the female protagonists,…

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Review of Bill Nye: Science Guy (2017)

By John Fink (368) for The Film Stage (3,162) on 18 May 2017

Bill Nye: Science Guy mixes science and inquiry with an intimate look at the personal trials and tribulations of Nye as he struggles with guilt,…

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