Movie Reviews Published by The Film Stage - Page 80 of 159

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Review of Goodbye Christopher Robin (2017)

By Jose Solís Mayén (28) for The Film Stage (3,162) on 13 Oct 2017

Rather than going for a greatest hits approach with Tigger's attention span, the film would've been quite magical if it had used Eeyore's wistfulness…

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Review of Breathe (2017)

By Jose Solís Mayén (28) for The Film Stage (3,162) on 12 Oct 2017

Turn after turn the film is unabashedly old school, with gold hue flashbacks and vignettes that lionize Robin more than they advance the plot…

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Review of Breathe (2017)

By Jose Solís Mayén (28) for The Film Stage (3,162) on 12 Oct 2017

Turn after turn the film is unabashedly old school, with gold hue flashbacks and vignettes that lionize Robin more than they advance the plot…

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Review of For Ahkeem (2017)

By John Fink (368) for The Film Stage (3,162) on 11 Oct 2017

An illuminating film about poverty that one hopes can be a call for action even if the film itself doesn’t directly encourage advocacy, it’s…

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Review of Marshall (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 10 Oct 2017

Boseman brings this badass attorney oozing warranted confidence to life opposite Gad’s non-confrontational everyman experiencing the true…

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Review of Blade Runner 2049 (2017)

By Dan Schindel (235) for The Film Stage (3,162) on 02 Oct 2017

The best cyberpunk film since the original Matrix, and the best big-budget American science fiction film in years…

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Review of Blade Runner 2049 (2017)

By Daniel Schindel (90) for The Film Stage (3,162) on 02 Oct 2017

Blade Runner 2049 marries its ideas to its narrative in a way that blockbusters too often fail to these days…

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Review of American Made (2017)

By Dan Mecca (208) for The Film Stage (3,162) on 30 Sep 2017

Many laughs are earned in observing how much money Seal actually made and how much the government played him for a fool…

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Review of Last Flag Flying (2017)

By Kyle Pletcher (2) for The Film Stage (3,162) on 29 Sep 2017

When playing into Linklater’s significant strengths as a director of actors, the film is able to entertain and evoke sincere feelings from…

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Review of Lucky (2017)

By Chelsey Grasso (12) for The Film Stage (3,162) on 28 Sep 2017

As if taken from Stanton’s own mantra, Lucky is a powerful reminder that life really does amount to nothing (and still, somehow, everything)…

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Review of Chappaquiddick (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 27 Sep 2017

I’m not certain if the truth ever came out about that evening’s events beyond speculation, but I don’t think anyone would question the…

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Review of Mademoiselle Paradis (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 27 Sep 2017

Albert places a cruel world onscreen despite its opulent finery…

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Review of I Am Another You (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 27 Sep 2017

Addiction, mental illness, and religion become more than just color — they become real motivating factors that cause us to reevaluate everything…

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Review of Downrange (2018)

By Jared Mobarak (867) for The Film Stage (3,162) on 27 Sep 2017

[Downrange is] a low budget suspense horror focusing on the fears, anxieties, and impatience of a few twenty-somethings stuck in a desperate…

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Review of Elizabeth Blue (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Sep 2017

It can be a grueling experience considering the heavy subject matter, but there’s enough optimism to stave off boredom…

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Review of Rat Film (2016)

By Dan Schindel (235) for The Film Stage (3,162) on 24 Sep 2017

A horror movie. A nature documentary. An anthropological study. A history lesson. A social justice statement. All plus more…

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Review of Kingsman: The Golden Circle (2017)

By Conor O'donnell (41) for The Film Stage (3,162) on 21 Sep 2017

Taken on it’s own merits — or lack thereof – Kingsman: The Golden Circle feels like being trapped in a dorm room, while a bunch of frat…

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Review of The Assassination of Jesse James by the Coward Robert Ford (2007)

By Jordan Raup (239) for The Film Stage (3,162) on 20 Sep 2017

An early-established folkloric weight and timelessness runs throughout Dominik's neo-western masterpiece…

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Review of Thirst Street (2017)

By Dan Schindel (235) for The Film Stage (3,162) on 19 Sep 2017

Vivid and mordant, Thirst Street imperfectly defines its lead, but makes her journey distinct…

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Review of The Wife (2017)

By Jordan Ruimy (242) for The Film Stage (3,162) on 19 Sep 2017

As fraught with drama as this powder keg of heightened circumstances may be, make no mistake, The Wife is more than an actor’s showcase…

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