Movie Reviews Published by The Film Stage - Page 65 of 159

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Review of At Eternity's Gate (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 02 Sep 2018

At Eternity’s Gate is a film made by an artist (“plates painter” Schnabel) less concerned with a painter, more with the way a painter…

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Review of At Eternity's Gate (2018)

By Rory O'connor (154) for The Film Stage (3,162) on 02 Sep 2018

In its rupture from traditional biographical narratives, it does not merely stand out as unconventional biopic-it also comes close to resuscitating…

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Review of The Mountain (2017)

By Rory O'connor (154) for The Film Stage (3,162) on 01 Sep 2018

As visually overcast as it is emotionally dead-eyed, The Mountain is probably the most intentionally-and unwarrantedly-bleak film you're likely…

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Review of The Sisters Brothers (2018)

By Vikram Murthi (112) for The Film Stage (3,162) on 01 Sep 2018

Individual scenes absorb, and the film lives and dies by its performances, but the macro problem seems to be that The Sisters Brothers can’t…

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Review of The Mountain (2019)

By Rory O'connor (154) for The Film Stage (3,162) on 01 Sep 2018

As visually overcast as it is emotionally dead-eyed, The Mountain is probably the most intentionally-and unwarrantedly-bleak film you're likely…

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Review of Suspiria (2018)

By Rory O'connor (154) for The Film Stage (3,162) on 31 Aug 2018

It is a film of surfaces, admittedly, but one made by perhaps our era’s best director of surfaces…

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Review of The Ballad of Buster Scruggs (2018)

By Rory O'connor (154) for The Film Stage (3,162) on 31 Aug 2018

A great deal of Buster Scruggs might ultimately be a touch undercooked by the mercurial siblings’ standards, but dagnabbit if there isn’s…

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Review of Roma (2018)

By Rory O'connor (154) for The Film Stage (3,162) on 30 Aug 2018

Despite the echoes of Fellini, the result feels almost new in a way and given the immersive nature of Roma it doesn’t seem so radical to…

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Review of A Star Is Born (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 30 Aug 2018

Credit for A Star is Born‘s heartwarming aura is owed less to Cooper’s own directing (assured and judicious a debut as it may be) than…

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Review of The Little Stranger (2018)

By Jose Solís Mayén (28) for The Film Stage (3,162) on 29 Aug 2018

Anyone who's seen a film of its type before is likely to unlock the central puzzle in no time, making the rest of the movie a truly laborious…

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Review of A Paris Education (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 29 Aug 2018

Whether or not the thought of following a self-absorbed wannabe filmmaker for 136 minutes has you buzzing with excitement, A Paris Education…

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Review of The Favourite (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 29 Aug 2018

Endlessly quotable and serendipitously timely — all the more so considering the whole project was conceived nine years ago — The Favourite…

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Review of The Little Stranger (2018)

By Jose Solís (27) for The Film Stage (3,162) on 29 Aug 2018

It fails as an insightful look at the class system in England because it sees every party with utmost contempt…

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Review of Hale County This Morning, This Evening (2018)

By Daniel Schindel (90) for The Film Stage (3,162) on 28 Aug 2018

Structurally, Hale County This Morning, This Evening does not do much to distinguish itself from other contemporary vérité documentaries…

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Review of First Man (2018)

By Leonardo Goi (38) for The Film Stage (3,162) on 28 Aug 2018

In its tragic undertones, complex psychological edifice, and claustrophobic visuals, First Man stands out, in both content and form, as a remarkable,…

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Review of The Wild Boys (2017)

By Ryan Swen (11) for The Film Stage (3,162) on 23 Aug 2018

This is one of the more truly strange visions from narrative cinema in the past few years, one that dares and succeeds as much as it fails…

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Review of What Keeps You Alive (2018)

By Mike Mazzanti (39) for The Film Stage (3,162) on 22 Aug 2018

For die-hard genre fans looking for a disturbed and relatively brief affair, there may be enough here to enjoy…

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Review of The Bookshop (2017)

By Jared Mobarak (867) for The Film Stage (3,162) on 22 Aug 2018

What seemed a slight melodrama transforms into a treatise on privately financed, bureaucratically sanctioned censorship…

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Review of The Oslo Diaries (2018)

By Daniel Schindel (90) for The Film Stage (3,162) on 22 Aug 2018

The Oslo Accords represent one of the most frustrating missed opportunities in recent world politics, though The Oslo Diaries is more frustrating…

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Review of Mile 22 (2018)

By Mike Mazzanti (39) for The Film Stage (3,162) on 19 Aug 2018

The result is at times quite thrilling, and clocking in at 90 minutes, refreshingly concise…

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