Movie Reviews Published by The Film Stage - Page 54 of 159

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Review of John Wick: Chapter 3 - Parabellum (2019)

By Jordan Raup (239) for The Film Stage (3,162) on 09 May 2019

It’s his commitment to the physicality required that signifies a mythic status to both the henchman who have the honor of fighting him and…

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Review of Blue Is the Warmest Color (2013)

By Raffi Asdourian (14) for The Film Stage (3,162) on 06 May 2019

Affecting and powerful in its portrayal of love, Blue is the Warmest Color is an epic ode to the enduring affection which overwhelms when we…

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Review of Framing John DeLorean (2019)

By John Fink (368) for The Film Stage (3,162) on 03 May 2019

Framing John DeLorean suffers from functioning as two potentially entertaining films in one, fighting it out on screen…

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Review of Ask Dr. Ruth (2019)

By John Fink (368) for The Film Stage (3,162) on 03 May 2019

Despite its spunky tone, Ask Dr…

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Review of The Kill Team (2019)

By John Fink (368) for The Film Stage (3,162) on 02 May 2019

Krauss packs a lot into what could be read as a prequel for his documentary, creating a brutal war on terror picture with a timely context…

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Review of Avengers: Endgame (2019)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Apr 2019

This insane stable of A-list actors finally got to show their chops. Downey Jr…

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Review of I Trapped the Devil (2019)

By Jared Mobarak (867) for The Film Stage (3,162) on 25 Apr 2019

The dread becomes so palpable that the implausibility of a wooden door with three tiny locks somehow containing the Devil actually proves itself…

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Review of Little Woods (2019)

By Jared Mobarak (867) for The Film Stage (3,162) on 15 Apr 2019

Rather than pass judgment, Little Woods merely allows life to occur in its oft-depressive state of seeming futility…

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Review of After (2019)

By John Fink (368) for The Film Stage (3,162) on 12 Apr 2019

Beautifully shot in Instagram-filter inspired hues by Tom Betterton and Adam Silver, After is occasionally aesthetically pleasing…

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Review of Hellboy (2019)

By Jared Mobarak (867) for The Film Stage (3,162) on 11 Apr 2019

There’s a cake and eat it too attitude wherein this new iteration of Hellboy wants to simultaneously be trashy and dramatic…

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Review of Stockholm (2019)

By Jared Mobarak (867) for The Film Stage (3,162) on 08 Apr 2019

As a comedy with a good-natured soul doing bad things to earn his surrogate brother freedom, Stockholm is a success…

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Review of Pet Sematary (2019)

By Conor O'donnell (41) for The Film Stage (3,162) on 04 Apr 2019

Sometimes dead is better, but it turns out a twisted bit of reanimation is just what Pet Sematary needed…

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Review of Missing Link (2019)

By Jordan Raup (239) for The Film Stage (3,162) on 02 Apr 2019

Laika’s craft makes the sweet-natured, grand adventure worth going on, but the accompanying dialogue from those leading the journey is ultimately…

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Review of Dumbo (2019)

By Brian Roan (43) for The Film Stage (3,162) on 27 Mar 2019

The problem with Dumbo, beyond the aforementioned bloodletting its inspiration underwent in order to create the cold, dead narrative corpse…

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Review of Everybody’s Everything (2019)

By John Fink (368) for The Film Stage (3,162) on 25 Mar 2019

It’s a film full of highs and lows, sorrow and recollection, fun and political ideology–a mess, but one that feels authentic and accurate…

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Review of Come as you are (2020)

By John Fink (368) for The Film Stage (3,162) on 25 Mar 2019

Imperfect, but delightful for much of its journey, Come As You Are packages an important human rights message in a comedy for the bros…

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Review of The Day Shall Come (2019)

By John Fink (368) for The Film Stage (3,162) on 25 Mar 2019

While it aims to generate outrage it does so rather quietly (unlike the recent blunt satirical work of Adam McKay) with a predictable outcome…

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Review of Come As You Are (2020)

By John Fink (368) for The Film Stage (3,162) on 25 Mar 2019

Imperfect, but delightful for much of its journey, Come As You Are packages an important human rights message in a comedy for the bros…

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Review of Come as You Are (2020)

By John Fink (368) for The Film Stage (3,162) on 25 Mar 2019

Imperfect, but delightful for much of its journey, Come As You Are packages an important human rights message in a comedy for the bros…

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Review of Screwball (2019)

By John Fink (368) for The Film Stage (3,162) on 25 Mar 2019

Corben finds humor in the absurdity; what might not be so apparent while you’re laughing your ass off is just how well-made and -researched…

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