Movie Reviews Published by The Film Stage - Page 28 of 159

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Review of Drive My Car (2021)

By Rory O'connor (154) for The Film Stage (3,162) on 13 Jul 2021

It’s a graceful, aching film that sculpts and stretches Murakami’s story into an enchanting three-hour epic (my, do the minutes fly by)…

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Review of Gunpowder Milkshake (2021)

By Glenn Heath Jr. (311) for The Film Stage (3,162) on 13 Jul 2021

When Papushado’s film finds the right tonal balance, meshing noir bleakness with pops of art deco color, there are fireworks to behold…

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By David Katz (41) for The Film Stage (3,162) on 12 Jul 2021

It’s a real giddy rush of a film, perhaps not as fundamentally moving or sensitive at his top-drawer work, but taking his micromanagement-heavy…

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Review of Flag Day (2021)

By David Katz (41) for The Film Stage (3,162) on 12 Jul 2021

A piece of would-be American classicism, this is a hackneyed, unevenly written hybrid between a con-man antihero drama and an emotive, heart-bruised…

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Review of After Yang (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 11 Jul 2021

Though ambitious in reach, its tone is one-note, stilted, and saccharine sweet; its ideas as disjointed as they are ultimately unsatisfying…

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Review of Benedetta (2021)

By Rory O'connor (154) for The Film Stage (3,162) on 10 Jul 2021

Verhoeven, as always, is more interested in playing games and is always at his best when needling an audience’s ideas of good taste…

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Review of The Souvenir: Part II (2021)

By Rory O'connor (154) for The Film Stage (3,162) on 09 Jul 2021

A daring work of meta-filmmaking in which Hogg loops backwards to re-reexamine her own past…

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Review of No Sudden Move (2021)

By Vikram Murthi (112) for The Film Stage (3,162) on 08 Jul 2021

After 29 narrative features, Soderbergh has developed a proficient sense of staging that feels simultaneously relaxed and invigorating…

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Review of Annette (2021)

By Rory O'connor (154) for The Film Stage (3,162) on 07 Jul 2021

Carax has delivered something gloriously gnarled and uncomfortable: a bludgeoning rock opera that takes aim at the entertainment industry and…

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Review of Black Widow (2021)

By Gabrielle Marceau (5) for The Film Stage (3,162) on 06 Jul 2021

It can’t resist an overdone and incomprehensible third act that sees our heroines tumbling from a floating monstrosity heading towards the…

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Review of The Forever Purge (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 01 Jul 2021

With Native American activists (Zahn McClarnon), anti-Mexican cartel women vigilantes, and the eye-opening power of white guilt when indebted…

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Review of Till Death (2021)

By Matt Cipolla (30) for The Film Stage (3,162) on 01 Jul 2021

The final result is about as much of a time-passer one could make with this script and what must have been a small budget…

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Review of The Lost Leonardo (2021)

By Artemis Lin (3) for The Film Stage (3,162) on 27 Jun 2021

As thrilling and fun to watch as any fictional crime narrative, The Lost Leonardo is also a straightforward and unflinching indictment of the…

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Review of Catch the Fair One (2022)

By Michael Frank (47) for The Film Stage (3,162) on 27 Jun 2021

Wladyka’s film is always gripping, always searching, and always testing the boundaries of its protagonist and its audience…

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Review of 7 Days (2021)

By Artemis Lin (3) for The Film Stage (3,162) on 27 Jun 2021

Ultimately what stands out about 7 Days is its sharply scripted humor and leads’ incredible chemistry…

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Review of Fathom (2021)

By Artemis Lin (3) for The Film Stage (3,162) on 26 Jun 2021

Fathom, like the study of whalesong, isn’t just about the whales––it’s also about how we can bridge the gap between “human” and…

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Review of Sisters on Track (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 24 Jun 2021

Being on the track at all and using it to springboard themselves to higher education is the real victory here…

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Review of My Heart Can't Beat Unless You Tell It To (2020)

By John Fink (368) for The Film Stage (3,162) on 24 Jun 2021

Although masterfully directed and performed, the film somehow feels a bit unresolved, especially since the family lives in a populated suburb…

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Review of Brian Wilson: Long Promised Road (2021)

By Joshua Encinias (8) for The Film Stage (3,162) on 22 Jun 2021

This feels like the final public statement from Wilson: he’s only here to vibe, cry, and spend time with his family…

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Review of False Positive (2021)

By Christopher Schobert (126) for The Film Stage (3,162) on 22 Jun 2021

Through the performances from Glaser and Brosnan, as well as its unabashed willingness to look extremely silly, False Positive may be worth…

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