Movie Reviews Published by The Film Stage - Page 21 of 159

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Review of The Real Charlie Chaplin (2021)

By Dan Mecca (208) for The Film Stage (3,162) on 18 Nov 2021

The pace is never stagnant and the final moments are pointedly effective…

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Review of The Killing of Kenneth Chamberlain (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 18 Nov 2021

Faison’s performance in the role is not one to be forgotten either…

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Review of The Feast (2021)

By Christian Gallichio (84) for The Film Stage (3,162) on 18 Nov 2021

Not all choices that Williams and Jones make pay off—including a late-act decision to explicitly spell out the reasons Cadi is seeking revenge—but…

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Review of Ghostbusters: Afterlife (2021)

By Ethan Vestby (87) for The Film Stage (3,162) on 17 Nov 2021

It’s hard not to see the film as one of the worst results of our infantilized culture…

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Review of tick, tick... BOOM! (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 16 Nov 2021

Garfield is funny and charismatic to draw us in and devastating when presenting the palpable shame that keeps us caring…

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Review of Oasis: Knebworth 1996 (2021)

By Christopher Schobert (126) for The Film Stage (3,162) on 15 Nov 2021

Director Jake Scott has crafted both a concert documentary and exploration of the Britpop era and what it meant…

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Review of Beans (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 06 Nov 2021

Violence becomes both a weapon and a tool throughout the proceedings while words do the same since both must sometimes be wielded as the former…

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Review of Beans (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 06 Nov 2021

Violence becomes both a weapon and a tool throughout the proceedings while words do the same since both must sometimes be wielded as the former…

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Review of Finch (2021)

By Alistair Ryder (351) for The Film Stage (3,162) on 04 Nov 2021

Finch is inconsistent, but ultimately charming, even as it will likely be a footnote next to the Hanks star vehicles it’s desperately trying…

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Review of Eternals (2021)

By Conor O'donnell (41) for The Film Stage (3,162) on 03 Nov 2021

Though not an entirely colossal failure, Eternals has a Sisyphean problem with authenticity: the greater its attempts at specific, deeply felt…

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Review of Speer Goes to Hollywood (2021)

By Jordan Raup (239) for The Film Stage (3,162) on 02 Nov 2021

While Speer Goes to Hollywood effectively shows the delusions of Speer’s mythologization, one wishes it didn’t skirt around more complicated…

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Review of Joy Ride (2021)

By Dan Mecca (208) for The Film Stage (3,162) on 29 Oct 2021

Joy Ride is the perfect example of “less is more.” One imagines there could be a three-hour cut of these adventures, but who needs that…

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Review of Attica (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 29 Oct 2021

The purpose of Nelson and Curry’s film is to therefore turn the focus of what happened back onto the real perpetrators rather than the victims…

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Review of Antlers (2021)

By Erik Nielsen (7) for The Film Stage (3,162) on 27 Oct 2021

Antlers is at its best when grounded in familial trauma haunted by the mythical terrors of the beast…

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Review of 13 Minutes (2021)

By Jared Mobarak (867) for The Film Stage (3,162) on 27 Oct 2021

Gossling populates this little town with so many horrible people that you assume the tornadoes are coming to purge them from society…

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Review of All About My Sisters (2021)

By Michael Frank (47) for The Film Stage (3,162) on 21 Oct 2021

Unflinching in her questioning of the abandonment and how it affected each individual party, the film moves throughout Jin’s life with persistence…

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Review of The Phantom of the Open (2022)

By Alistair Ryder (351) for The Film Stage (3,162) on 21 Oct 2021

Ultimately, The Phantom of the Open is one of this year’s most charming films––a broad crowdpleaser that stands a good chance of winning…

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Review of Ron's Gone Wrong (2021)

By Alistair Ryder (351) for The Film Stage (3,162) on 21 Oct 2021

There is nothing that ever feels particularly inspired; even when operating at its best, Ron’s Gone Wrong still cribs far too closely from…

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Review of Halloween Kills (2021)

By Matt Cipolla (30) for The Film Stage (3,162) on 16 Oct 2021

Every kill on display here is to someone superfluous, immediately forgettable, or both…

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Review of The Blazing World (2021)

By Matt Cipolla (30) for The Film Stage (3,162) on 15 Oct 2021

It’s obvious that Young wanted to make something unique. Hopefully she strikes a chord in the future, but The Blazing World is just patchwork…

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