Movie Reviews Published by The Film Stage - Page 10 of 159

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Review of All the Beauty and the Bloodshed (2022)

By David Katz (41) for The Film Stage (3,162) on 10 Sep 2022

It’s important to note how successfully and stylishly Poitras and [her editing team] cross-cut between exposition and narration on Goldin’s…

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Review of Weird: The Al Yankovic Story (2022)

By Christopher Schobert (126) for The Film Stage (3,162) on 10 Sep 2022

Undeniably funny, very well-acted, and wise in its tonal focus, Weird plays as entertainment that could have been much, much more…

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Review of Blonde (2022)

By David Katz (41) for The Film Stage (3,162) on 09 Sep 2022

Ana de Armas’ portrayal of Norma is powerful, her performance suggesting layers and levels Dominik just isn’t interested in probing, perhaps…

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Review of The Inspection (2022)

By Ethan Vestby (87) for The Film Stage (3,162) on 09 Sep 2022

Positioned as a work of autobiography from first-time director Elegance Bratton, The Inspection is a flawed, if highly compelling promise of…

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Review of Pinocchio (2022)

By Jordan Raup (239) for The Film Stage (3,162) on 08 Sep 2022

While a murky, laborious affair, Pinocchio never feels wholly inept with the consummate craftsman at the helm, yet it’s certainly the director’s…

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Review of Dead for a Dollar (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 08 Sep 2022

Dead for a Dollar is derivative by nature, but not in unpleasing ways…

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Review of Pinocchio (2024)

By Jordan Raup (239) for The Film Stage (3,162) on 08 Sep 2022

While a murky, laborious affair, Pinocchio never feels wholly inept with the consummate craftsman at the helm, yet it’s certainly the director’s…

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Review of The Banshees of Inisherin (2022)

By Luke Hicks (31) for The Film Stage (3,162) on 07 Sep 2022

Without his trademark vulgarity and narrative absurdity, McDonagh’s challenged himself to draw humor and meaning from the mundane. And he does…

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Review of Don't Worry Darling (2022)

By Luke Hicks (31) for The Film Stage (3,162) on 05 Sep 2022

Ultimately, Don’t Worry Darling is an elaborate game of house with little pay-off, the movie version of a fake tan: it gets the job done,…

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Review of House of Darkness (2022)

By Jared Mobarak (867) for The Film Stage (3,162) on 05 Sep 2022

LaBute is meticulously escalating the danger by providing Hap his wildest dreams in a way that reveals to the audience how their ability to…

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Review of A Couple (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 04 Sep 2022

I couldn’t bear another minute of A Couple, but I’m perfectly happy it exists…

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Review of The Whale (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 04 Sep 2022

The Whale is Aronofsky at his most trimmed down…

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Review of Athena (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 04 Sep 2022

Gavras, for better and worse, is a creature of spectacle; not apolitical, per se, but more concerned with triggers and semiotics than manifestos…

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Review of Bones and All (2022)

By Luke Hicks (31) for The Film Stage (3,162) on 04 Sep 2022

The chemistry between Chalamet and Russell is off the charts…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Luke Hicks (31) for The Film Stage (3,162) on 02 Sep 2022

When it’s all said and done—the technical marvels elucidated, the stylistic flare appreciated, the wide-eyed self-reflection given a fair…

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Review of The African Desperate (2022)

By Leonardo Goi (38) for The Film Stage (3,162) on 02 Sep 2022

The African Desperate is an electrifying, riveting odyssey, and Stingily—with her deadpan humor and no-nonsense swagger—makes its ending…

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Review of Loving Highsmith (2022)

By Dan Mecca (208) for The Film Stage (3,162) on 02 Sep 2022

It is, above all else, a fascinating window into the personal and creative life of a queer woman constantly rebelling against the restrictive…

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Review of TÁR (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 01 Sep 2022

TÁR is an effort of tremendous skill and restraint, beginning with a confidence bordering on arrogance and building to a brilliant crescendo—only…

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Review of White Noise (2022)

By David Katz (41) for The Film Stage (3,162) on 31 Aug 2022

It feels condescending to brand Baumbach’s White Noise a “nice try,” considering how much the director has accomplished in the past,…

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Review of White Noise (2022)

By David Katz (41) for The Film Stage (3,162) on 31 Aug 2022

It feels condescending to brand Baumbach’s White Noise a “nice try,” considering how much the director has accomplished in the past,…

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