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Last updated: 18 Jul 2026 at 20:05 UTC

Movie Reviews Published by The Blue Lenses - Page 2 of 3

21-40 of 53 Reviews

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Review of The Fits (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

So while The Fits never presses towards any ultimate explanation for what triggers its eponymous condition amongst the girls, by privileging…

Review of The Strange Color of Your Body's Tears (2014)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

The Strange Color of Your Body's Tears demands we engage with film in a very different way than we are used to…

Review of Marshland (2014)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Generically, Marshland at first could be mistaken for a straightforward police procedural in many senses, but the factor that grants it its…

Review of Joe Cinque's Consolation (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Dounoukos's project with the film adaptation [of Helen Garner's book] seems apparent: to give [the real life Anu] Singh a more ethically complex…

Review of '71 (2014)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

There is a rich ethical murkiness that runs through this film on a near molecular level, and it strives to gets into the meat of what this…

Review of Gary Numan: Android In La La Land (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Gary Numan: Android In La La Land is ... as much a love story as it is a traditional music documentary, and while…

Review of Heart of a Dog (1976)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Like much of Anderson's work, Heart of a Dog takes the form of casually constructed, almost meandering reminiscences, while at the same time…

Review of Smithereens (1982)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Susan Seidelman is perhaps most readily known for her 1985 Madonna vehicle Desperately Seeking Susan, but it is in Smithereens that its more…

Review of 54 (1998)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

The director's cut of 54 is a remarkable artefact that tells us as much about the 1990s as it does the 1970s…

Review of Entertainment (2015)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

With Turkington's deft hand, Entertainment methodically deconstructs the world's shallow surfaces…

Review of Always Shine (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Always Shine is a remarkable film carried by a strong script and even stronger performances…

Review of Sunset Song (2015)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Based on the first book in Lewis Grassic Gibbon's A Scots Quair trilogy, British cinema luminary Terence Davies's Sunset Song takes the beloved…

Review of Heart of a Dog (2015)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Like much of Anderson's work, Heart of a Dog takes the form of casually constructed, almost meandering reminiscences, while at the same time…

Review of Partisan (2015)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Partisan combines an inventive story, exquisite cinematography, a wonderful 80s-style electro soundtrack…

Review of Girlfriends (1978)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

There is an almost overpowering sense of relief when watching Girlfriends that all stories matter: that the personal politics and insecurities…

Review of Suburra (2015)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Sollima pulls this together into a slick, polished whole, marked by an energy and focus that allows him to travel through Suburra's various…

Review of A Dark Song (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

An extraordinarily personal film, A Dark Song feels like a folk tale whispered to you at night while you sleep by person or persons unknown,…

Review of Neon Bull (2016)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

The Neon Bull exists well beyond the realm of didacticism, surrendering instead to the joys and the discomforts of the senses…

Review of Born in Flames (1983)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

As hackneyed as the phrase may be, Born in Flames is a stark, in-your-face reminder that the more things change, the more they stay the same…

Review of Son of Saul (2015)

By Alexandra Heller-Nicholas (78) for The Blue Lenses (53) on 24 Aug 2018

Son of Saul employs the formal mechanics of filmmaking to turn [its]…

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