Movie Reviews Published by The Atlantic - Page 52 of 53

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Review of Thor (2011)

By Christopher Orr (399) for The Atlantic (1,046) on 05 May 2011

For those with a taste for the genre, Thor is a worthy addition to the pantheon…

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Review of The Adjustment Bureau (2011)

By Christopher Orr (399) for The Atlantic (1,046) on 04 Mar 2011

The Adjustment Bureau presents itself as a paean to free will, to overcoming obstacles, to creating your own destiny-provided, that is, that…

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Review of The Green Hornet (2011)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Jan 2011

There are elements of a sharp hero/sidekick inversion here: Kato is the handsome, brilliant inventor and karate expert; Britt is, well, rich…

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Review of True Grit (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 24 Dec 2010

The real reason to see the film is the work of the Coens' regular collaborators, cinematographer Roger Deakins and composer Carter Burwell,…

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Review of Black Swan (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 03 Dec 2010

Black Swan is vivid and engrossing, teetering between trash and art, a sleek exploitation borrowing from (among others) Fight Club and The…

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Review of Red (1996)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Oct 2010

A lengthy procession of geriatric-assassin jokes [that] offers a chilling portent of what lies in store should soon-to-be-ex-Governor Schwarzenegger…

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Review of Red (1993)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Oct 2010

A lengthy procession of geriatric-assassin jokes [that] offers a chilling portent of what lies in store should soon-to-be-ex-Governor Schwarzenegger…

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Review of Red! (2013)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Oct 2010

A lengthy procession of geriatric-assassin jokes [that] offers a chilling portent of what lies in store should soon-to-be-ex-Governor Schwarzenegger…

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Review of RED (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Oct 2010

A lengthy procession of geriatric-assassin jokes [that] offers a chilling portent of what lies in store should soon-to-be-ex-Governor Schwarzenegger…

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Review of Red (2014)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Oct 2010

A lengthy procession of geriatric-assassin jokes [that] offers a chilling portent of what lies in store should soon-to-be-ex-Governor Schwarzenegger…

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Review of Red (2008)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Oct 2010

A lengthy procession of geriatric-assassin jokes [that] offers a chilling portent of what lies in store should soon-to-be-ex-Governor Schwarzenegger…

Read Review

Review of Red (2013)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Oct 2010

A lengthy procession of geriatric-assassin jokes [that] offers a chilling portent of what lies in store should soon-to-be-ex-Governor Schwarzenegger…

Read Review

Review of Red (2002)

By Christopher Orr (399) for The Atlantic (1,046) on 14 Oct 2010

A lengthy procession of geriatric-assassin jokes [that] offers a chilling portent of what lies in store should soon-to-be-ex-Governor Schwarzenegger…

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Review of The Social Network (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 30 Sep 2010

[P]roof that Fincher's directorial verve can imbue virtually any tale with urgency, be it the search for a killer or the search for a killer app…

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Review of Wall Street: Money Never Sleeps (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 23 Sep 2010

[A]gainst all probability, 'Money Never Sleeps' is a watchable enough movie for its first hour or so…

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Review of The American (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 02 Sep 2010

Early on, the priest explains to Jack, 'You have the hands of a craftsman, not an artist.' The American is the product of such hands as well…

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Review of Inception (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 15 Jul 2010

Like his protagonist, Nolan excels as an implanter of subversive ideas. This time, alas, he didn't dig quite deep enough for them to take root…

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Review of The Last Airbender (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 01 Jul 2010

[T]he film works so hard to explain its plot developments that it scarcely has any time left over to dramatize them…

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Review of Knight and Day (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 24 Jun 2010

By the finale, it's hard to shake the sense that the movie has already expired, and everyone involved [is] just trying to prop it up, Weekend…

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Review of Toy Story 3 (2010)

By Christopher Orr (399) for The Atlantic (1,046) on 17 Jun 2010

As Lotso, Ned Beatty offers the most compelling portrait of avuncular villainy since, well, Ned Beatty in Network, and Michael Keaton's Ken…

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