Movie Reviews Published by The Atlantic - Page 28 of 53

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Review of Baywatch (2017)

By Megan Garber (19) for The Atlantic (1,046) on 15 Jun 2017

Suffice it to say, too, that there's a lot of delight to be had in the frothy union of the Bay and the Watch, much of it coming from Johnson,…

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Review of King Arthur: Legend of the Sword (2017)

By David Sims (534) for The Atlantic (1,046) on 15 Jun 2017

That's one thing that Ritchie's Legend in the Sword shared with Excalibur-a vague idea that Britain is destined for transformation…

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Review of Maudie (2016)

By David Sims (534) for The Atlantic (1,046) on 15 Jun 2017

Maudie's biggest success is Walsh's interest in depicting the environment from which art springs, rather than laying out some simple emotional…

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Review of My Scientology Movie (2016)

By Sophie Gilbert (39) for The Atlantic (1,046) on 15 Jun 2017

My Scientology Movie, the newest film by the British documentarian Louis Theroux, vibrates with effort-with machinations and stunts and stitch…

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Review of Fire at Sea (2016)

By Anna Diamond (1) for The Atlantic (1,046) on 15 Jun 2017

Fire at Sea is a powerful, and beautifully shot, look at the migrant crisis-one that manages to subvert viewer expectations of what has become…

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Review of Guardians of the Galaxy Vol. 2 (2017)

By David Sims (534) for The Atlantic (1,046) on 15 Jun 2017

In Marvel lingo, Guardians 2 feels like a great six-issue arc, the kind of storytelling that used to be the backbone of superhero comics…

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Review of The Book of Henry (2017)

By David Sims (534) for The Atlantic (1,046) on 14 Jun 2017

The Book of Henry is the equivalent of eating a cake baked with salt instead of sugar, or listening to a Beatles song where the lyrics are…

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Review of It Comes at Night (2017)

By David Sims (534) for The Atlantic (1,046) on 08 Jun 2017

A fairly straightforward post-apocalyptic story, tightly focused on human torment, but suffused with surprising, undeniably atmospheric sights…

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Review of Band Aid (2017)

By David Sims (534) for The Atlantic (1,046) on 08 Jun 2017

The film too often struggles to find a balance between being searing and charming; at best, it's a notable curio, one Lister-Jones may well…

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Review of The Mummy (2017)

By David Sims (534) for The Atlantic (1,046) on 08 Jun 2017

As the beginning of an ongoing series, it's an utter bore, one with only the faintest grasp of what made Universal's monster pictures so iconic…

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Review of Hounds of Love (2016)

By David Sims (534) for The Atlantic (1,046) on 08 Jun 2017

If you can stomach its content, Hounds of Love is an undoubtedly effective work, an impressive calling card for a director sure to attract…

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Review of Wakefield (2017)

By David Sims (534) for The Atlantic (1,046) on 08 Jun 2017

It isn't the dull midlife crisis movie it initially presents itself as. But it also doesn't do enough to lurch into more nightmarish territory…

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Review of Wonder Woman (2017)

By Christopher Orr (399) for The Atlantic (1,046) on 02 Jun 2017

The final big action sequence, as now seems always to be the case, is a messy and overwrought CGI extravaganza…

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Review of Pirates of the Caribbean: Dead Men Tell No Tales (2017)

By Christopher Orr (399) for The Atlantic (1,046) on 01 Jun 2017

The subtitle of the new Pirates of the Caribbean movie is Dead Men Tell No Tales…

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Review of Alien: Covenant (2017)

By Christopher Orr (399) for The Atlantic (1,046) on 24 May 2017

This may not be a movie that reinvents the wheel. But it's one that knows how to make it roll…

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Review of Dirty Dancing (2017)

By Sophie Gilbert (39) for The Atlantic (1,046) on 23 May 2017

It's less the time of your life and more three hours you'll never get back…

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Review of The Lovers (2017)

By David Sims (534) for The Atlantic (1,046) on 15 May 2017

The Lovers, written and directed by Azazel Jacobs, is a strangely gripping movie mostly because of its aversion to over-explaining…

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Review of Guardians of the Galaxy Vol. 2 (2017)

By Christopher Orr (399) for The Atlantic (1,046) on 11 May 2017

As Baby Groot's companions battle the tentacular horror in the background, we're treated to the delightful spectacle of the mini-veggie juking…

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Review of Snatched (2017)

By Megan Garber (19) for The Atlantic (1,046) on 11 May 2017

Snatched is a trip very much like the one it portrays: one that, in the end, does a pretty poor job of putting the fun in unrefundable…

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Review of The Dinner (2017)

By Sophie Gilbert (39) for The Atlantic (1,046) on 11 May 2017

The Dinner is two hours of unrelenting nastiness, steeped in the trappings of extreme wealth and the toxic privilege it affords…

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