Movie Reviews Published by The Atlantic - Page 21 of 53

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Review of Pacific Rim: Uprising (2018)

By David Sims (534) for The Atlantic (1,046) on 22 Mar 2018

Once Pacific Rim Uprising reveals the means by which the kaiju might return, I was briefly delighted; there’s one strange twist that’s…

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Review of Unsane (2018)

By David Sims (534) for The Atlantic (1,046) on 21 Mar 2018

Unsane is a great worst-nightmare movie from Soderbergh, a tense piece of low-budget auteurship that plops the viewer into an absurd scenario…

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Review of The Death of Stalin (2017)

By Christopher Orr (399) for The Atlantic (1,046) on 18 Mar 2018

The result is a comedy so black that it recalls the words of the immortal Nigel Tufnel: It could be “none more black.”…

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Review of A Wrinkle in Time (2018)

By Christopher Orr (399) for The Atlantic (1,046) on 16 Mar 2018

It’s refreshing to see a kids’ movie that’s content to remain just that, and doesn’t feel a need to douse itself in pop references…

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Review of Tomb Raider (2018)

By David Sims (534) for The Atlantic (1,046) on 16 Mar 2018

Vikander, who can balance flinty charm with sympathetic humanism, helped keep me invested, but Tomb Raider could best be described as a solid…

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Review of Love, Simon (2018)

By David Sims (534) for The Atlantic (1,046) on 13 Mar 2018

I’m happy to see a major-studio teen film wrestle with homosexuality and life in the closet as more than a comical subplot, even though I…

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Review of Claire's Camera (2018)

By David Sims (534) for The Atlantic (1,046) on 09 Mar 2018

Though this latest project might feel like a trifle (it’s only 69 minutes long and was filmed at Cannes to take advantage of a press appearance…

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Review of Thoroughbreds (2018)

By David Sims (534) for The Atlantic (1,046) on 09 Mar 2018

For those seeking a wickedly dark little confection, Thoroughbreds should prove a diverting watch; but those looking for anything deeper will…

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Review of Red Sparrow (2018)

By David Sims (534) for The Atlantic (1,046) on 02 Mar 2018

On some of those fronts, the film wildly misfires, but for a wide studio release headlined by one of Hollywood’s biggest stars, Red Sparrow…

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Review of Foxtrot (2017)

By David Sims (534) for The Atlantic (1,046) on 27 Feb 2018

In depicting the out-of-sight, out-of-mind bubble mentality of Israel’s civilian citizens (and how easily that bubble can burst), Foxtrot…

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Review of Annihilation (2018)

By Christopher Orr (399) for The Atlantic (1,046) on 23 Feb 2018

Though Garland’s film is decidedly creepy and often ravishing to look at, it’s hard to shake the sense that, beneath its highbrow patina,…

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Review of Mute (2018)

By David Sims (534) for The Atlantic (1,046) on 23 Feb 2018

Mute is a slog, and a depressing one; as Netflix sci-fi goes, it’s not as abjectly inept as The Cloverfield Paradox, but it’s perhaps even…

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Review of Annihilation (2018)

By Christopher Orr (399) for The Atlantic (1,046) on 23 Feb 2018

Though Garland’s film is decidedly creepy and often ravishing to look at, it’s hard to shake the sense that, beneath its highbrow patina,…

Read Review

Review of Mute (2016)

By David Sims (534) for The Atlantic (1,046) on 23 Feb 2018

[Paul] Rudd and [Justin] Theroux do their best to have fun, but the movie's miserable tone is actively competing against them at every turn…

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Review of Mute (2016)

By David Sims (534) for The Atlantic (1,046) on 23 Feb 2018

[Paul] Rudd and [Justin] Theroux do their best to have fun, but the movie's miserable tone is actively competing against them at every turn…

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Review of Mute (2018)

By David Sims (534) for The Atlantic (1,046) on 23 Feb 2018

Mute is a slog, and a depressing one; as Netflix sci-fi goes, it’s not as abjectly inept as The Cloverfield Paradox, but it’s perhaps even…

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Review of Black Panther (2018)

By Christopher Orr (399) for The Atlantic (1,046) on 22 Feb 2018

The arguments Black Panther undertakes with itself are central to its architecture, a narrative spine that runs from the first scene to the last…

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Review of Fear and Desire (1953)

By Steve Erickson (207) for The Atlantic (1,046) on 21 Feb 2018

Fear and Desire shows that Kubrick's polished vision didn't emerge from a void. He had to start out with a rough draft first…

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Review of Early Man (2018)

By David Sims (534) for The Atlantic (1,046) on 16 Feb 2018

Like any Park film, it’s pretty charming, the kind of kids movie that finds the right mix of slapstick humor and intelligent storytelling…

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Review of Golden Exits (2018)

By David Sims (534) for The Atlantic (1,046) on 12 Feb 2018

This is a movie that deserves to be seen—it’s a work of maturity and confidence from one of the indie world’s best young directors…

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