Movie Reviews Published by The Associated Press - Page 7 of 45

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Review of She Said (2022)

By Jocelyn Noveck (253) for The Associated Press (882) on 17 Nov 2022

She Said, a worthy entry to a film genre that includes “Spotlight” and of course “All the President’s Men,” isn’t just about the…

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Review of Bones and All (2022)

By Jake Coyle (526) for The Associated Press (882) on 17 Nov 2022

Bones and All can be both brutal and beautiful…

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Review of The Menu (2022)

By Jake Coyle (526) for The Associated Press (882) on 16 Nov 2022

Even as The Menu teeters unevenly in its third act and things get gruesomely less appetizing, its greasy last bites succeed in capturing one…

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Review of Slumberland (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 16 Nov 2022

Slumberland is not a terrible movie and it may very well spark your imagination or tug at your heartstrings (though sweet kids crying over…

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Review of Slumberland (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 16 Nov 2022

Slumberland is not a terrible movie and it may very well spark your imagination or tug at your heartstrings (though sweet kids crying over…

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Review of Spirited (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 10 Nov 2022

Though Spirited comes up short as a musical, it is still pretty enjoyable…

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Review of Spirited (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 10 Nov 2022

Though Spirited comes up short as a musical, it is still pretty enjoyable…

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Review of Black Panther: Wakanda Forever (2022)

By Jake Coyle (526) for The Associated Press (882) on 08 Nov 2022

Wakanda Forever is overlong, a little unwieldy and somewhat mystifyingly steers toward a climax on a barge in the middle of the Atlantic…

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Review of The Fabelmans (2022)

By Mark Kennedy (184) for The Associated Press (882) on 08 Nov 2022

The focus sometimes gets a bit blurry, to be honest and the whole thing often doesn’t add up to much…

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Review of BARDO, False Chronicle of a Handful of Truths (2022)

By Jake Coyle (526) for The Associated Press (882) on 02 Nov 2022

As with all of Iñárritu’s films, “Bardo” isn’t just deeply felt but impassioned to the max, with grand designs to not just plunge…

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Review of Causeway (2022)

By Mark Kennedy (184) for The Associated Press (882) on 01 Nov 2022

Causeway, directed by Lila Neugebauer with a straightforward honesty, sounds more manipulative and manufactured than it is…

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Review of Armageddon Time (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 27 Oct 2022

Gray does a wonderful job painting a portrait of a moment of cultural upheaval through these two boys, their opportunities, their support systems…

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Review of Call Jane (2022)

By Jake Coyle (526) for The Associated Press (882) on 27 Oct 2022

Call Jane distinguishes itself as a stirring portrait of the birth of an unlikely abortion-rights activist…

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Review of The Good Nurse (2022)

By Jocelyn Noveck (253) for The Associated Press (882) on 25 Oct 2022

To the filmmakers’ credit, they don’t manufacture a motivation where there wasn’t one. There’s no need…

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Review of Wendell & Wild (2022)

By Mark Kennedy (184) for The Associated Press (882) on 25 Oct 2022

Beneath it all is the story of a child’s love and guilt — and an education and judicial system letting her down — which propels her to…

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Review of Descendant (2022)

By Jake Coyle (526) for The Associated Press (882) on 20 Oct 2022

There is a searching, ruminative dialogue running throughout the film…

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Review of My Policeman (2022)

By Jocelyn Noveck (253) for The Associated Press (882) on 19 Oct 2022

The biggest challenge for Styles, and for the studio that lists him as one of a six-actor ensemble — albeit at the top of the list, they’re…

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Review of Aftersun (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 19 Oct 2022

Young fathers, especially the single sort, don’t get a lot of love from the movies and “Aftersun” is partly an ode to that very specific,…

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Review of Aftersun (2022)

By Lindsey Bahr (430) for The Associated Press (882) on 19 Oct 2022

Young fathers, especially the single sort, don’t get a lot of love from the movies and “Aftersun” is partly an ode to that very specific,…

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Review of Black Adam (2022)

By Mark Kennedy (184) for The Associated Press (882) on 18 Oct 2022

Director Jaume Collet-Serra and the design team do a great job in every department but are let down by a derivative and baggy screenplay by…

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