Movie Reviews Published by The Aristocrat - Page 4 of 7

61-80 of 121 Reviews

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Review of Terminator Salvation (2009)

By Adam Ross (121) for The Aristocrat (121) on 28 Sep 2012

Everything that made the Terminator films great is absent in this film. The violence, the terror, the basic fear is gone…

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Review of Kath & Kimderella (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

Instead of being a veritable 'best of', Kimderella feels, at best, like an average episode of the television series…

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Review of The Angels' Share (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

If I had to make a comparison, I'd say it is an unlikely pairing of Green Street Hooligans and Sideways…

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Review of In Darkness (2011)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

In Darkness is an emotionally tough, well made film that shows that, despite their inherent familiarity, there are still plenty of great stories…

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Review of Safety Not Guaranteed (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

This hugely enjoyable comedy shows that you don't need massive budgets or stars for success: likeable characters and smart ideas are more than enough…

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Review of On The Road (2010)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

On the Road offers beautiful vistas, full-blooded performances and great, episodic vignettes…

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Review of Girl Model (2011)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

Surprisingly, this isn't a hatchet job - most of the subjects of Girl Model hang themselves…

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Review of Abraham Lincoln: Vampire Hunter (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

A rancid hot pot of over-caffeinated action, choppy editing, self-importance and retarded scripting, Lincoln is the worst blockbuster in recent…

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Review of American Reunion (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

The cast are more likely to attend rehab than the Oscars ... but despite my scathing preconceptions, American Reunion is actually pretty funny…

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Review of Battleship (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

It's not satire, it doesn't play on two levels like Starship Troopers, it's just s---…

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Review of Looper (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

Looper isn't just the smartest, most ambitious film I've seen in 2012, it's something more: it's one of my favourite films of all time…

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Review of Margaret (2011)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

it should be commended for attempting to tackle something as basic - and insurmountable - as a single human emotion…

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Review of Prometheus (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

Very few films can create a genuine sense of wonder and discovery, and Prometheus manages it for its entire 124 minute running time…

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Review of God Bless America (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

any film that has the balls to show an incessantly crying baby being blown away with a shotgun will always, unequivocally, get my vote…

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Review of The Amazing Spider-Man (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

We all know that Spider-Man 3 sucked, but did it have to come to this? A 'one strike and you're out' policy…

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Review of Brave (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

While Brave is a mile ahead of other animated features hitting our screens, it does feel like a lesser Pixar work…

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Review of The Dark Knight Rises (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

if Gotham falls, so does Bruce Wayne. Rarely, in film, have we understood and sympathised with a hero's mission as much as Bruce's…

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Review of Dark Shadows (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

following Graeme-Smith's lead, Burton has made, quite possibly, the worst film of his 30-year career…

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Review of Sleepless Night (2011)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

The great F. Scott Fitzgerald once said 'action is character' and by this notion, Vincent is a goddamn great character…

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Review of Sightseers (2012)

By Adam Ross (121) for The Aristocrat (121) on 26 Sep 2012

The 'romantic comedy' is possibly the most lifeless of all modern genres and Sightseers gives it a literal blood transfusion. Cultdom awaits…

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The Aristocrat features reviews by:

Adam Ross (121)

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