Movie Reviews Published by The A.V. Club - Page 13 of 283

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Review of The Retaliators (2022)

By Mark Keizer (225) for The A.V. Club (5,644) on 13 Sep 2022

The film teases us with hat-tips and in-jokes and then pushes them aside to become an ungainly horror mashup that works in pieces, most notably…

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Review of The Silent Twins (2022)

By Murtada Elfadl (54) for The A.V. Club (5,644) on 13 Sep 2022

In The Silent Twins, the Gibbons sisters are let down by a script that undercuts the unique circumstances of their lives with familiar and…

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Review of God's Country (2022)

By Jack Smart (10) for The A.V. Club (5,644) on 13 Sep 2022

A lyrical character study inside a quasi-Western thriller, God’s Country features a never-better Thandiwe Newton embodying that ethical struggle…

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Review of Moonage Daydream (2022)

By Jordan Hoffman (1,025) for The A.V. Club (5,644) on 12 Sep 2022

If there’s a message at all in Moonage Daydream, it is secondary to the experiential nature of the movie. That’s hardly a knock…

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Review of Clerks III (2022)

By Courtney Howard (393) for The A.V. Club (5,644) on 12 Sep 2022

Ultimately, the absence of any meaningful sentiment about grief or personal growth (or anything else) makes the story’s maddening, rote familiarity…

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Review of End of the Road (2022)

By Ian Spelling (9) for The A.V. Club (5,644) on 09 Sep 2022

Director Millicent Shelton, a veteran of dozens of music videos and television shows (including two episodes of Latifah’s series Star), wisely…

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Review of Pinocchio (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 08 Sep 2022

Far be it from us to actively reveal what scuttles Zemeckis’ film, but let’s just say that it seems like the people who made its biggest…

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Review of About Fate (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 08 Sep 2022

Despite the off-putting blandness of its poster, soundtrack, and setup, About Fate proves surprisingly charming…

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Review of Pinocchio (2024)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 08 Sep 2022

Far be it from us to actively reveal what scuttles Zemeckis’ film, but let’s just say that it seems like the people who made its biggest…

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Review of Barbarian (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 07 Sep 2022

Cregger delivers an absolutely stunning addition to the horror canon…

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Review of House of Darkness (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 06 Sep 2022

Ultimately, House Of Darkness exists in a strange and equally fatal no man’s land of being simultaneously under- and overwritten…

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Review of Medieval (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 05 Sep 2022

Jákl’s film is precisely as generic as its title would suggest, and what little there is to recommend is buried under a mountain of tedium…

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Review of Don't Worry Darling (2022)

By Tomris Laffly (460) for The A.V. Club (5,644) on 05 Sep 2022

Perhaps the chief deficit of Don’t Worry Darling isn’t even predictability, but a discernible lack of new ideas of its own…

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Review of Burial (2022)

By Ian Spelling (9) for The A.V. Club (5,644) on 01 Sep 2022

After lots of inconsequential talking that should have been streamlined, the film’s payoff—various shootouts and chases and showdowns—proves…

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Review of Love in the Villa (2022)

By Ian Spelling (9) for The A.V. Club (5,644) on 01 Sep 2022

Admittedly, this film is to romantic comedies what Olive Garden is to Italian cuisine…

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Review of Burial (2022)

By Ian Spelling (9) for The A.V. Club (5,644) on 01 Sep 2022

After lots of inconsequential talking that should have been streamlined, the film’s payoff—various shootouts and chases and showdowns—proves…

Read Review

Review of Burial (2022)

By Ian Spelling (9) for The A.V. Club (5,644) on 01 Sep 2022

After lots of inconsequential talking that should have been streamlined, the film’s payoff—various shootouts and chases and showdowns—proves…

Read Review

Review of Honk for Jesus. Save Your Soul. (2022)

By Leigh Monson (105) for The A.V. Club (5,644) on 31 Aug 2022

At its most powerful, Adamma Ebo’s film is an empathetic indictment of a culture that has evolved—and perhaps mutated— from intercommunity…

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Review of Gigi & Nate (2022)

By Luke Y. Thompson (1,447) for The A.V. Club (5,644) on 30 Aug 2022

For a solid portion of its running time, Gigi & Nate at least delivers what it promises: a young man and his monkey—to be more specific,…

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Review of The Invitation (2022)

By Jack Smart (10) for The A.V. Club (5,644) on 26 Aug 2022

Emmanuel makes for an empathetic audience stand-in and charming heroine; it’s easy to see how she’s pivoted from thankless Game Of Thrones…

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