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Last updated: 10 Jun 2026 at 01:00 UTC

Movie Reviews Published by South China Morning Post - Page 7 of 34

121-140 of 665 Reviews

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Review of Muse (2017)

By James Marsh (180) for South China Morning Post (665) on 01 Apr 2018

Balaguero's efforts feel like a poor man's The Da Vinci Code…

Review of Peter Rabbit (2018)

By Richard James Havis (225) for South China Morning Post (665) on 27 Mar 2018

Young children will find enough to enjoy in this tale of rabbits, which themselves look like animated plushy toys…

Review of Mary Magdalene (2018)

By James Mottram (656) for South China Morning Post (665) on 27 Mar 2018

The Greatest Story Ever Told? No, just a tiring slog…

Review of Ready Player One (2018)

By James Mottram (656) for South China Morning Post (665) on 27 Mar 2018

Steven Spielberg has delivered a perfect blockbuster for our nostalgia-driven times…

Review of Sherlock Gnomes (2018)

By Richard James Havis (225) for South China Morning Post (665) on 27 Mar 2018

Although this tale of detection is too straightforward to interest adults, the animated story about ornamental gnomes is solid enough to intrigue…

Review of Unsane (2018)

By James Mottram (656) for South China Morning Post (665) on 21 Mar 2018

Entirely shot on an iPhone, this is a neatly constructed psychiatric ward thriller that bears all the hallmarks of Polanski and Hitchcock at…

Review of Golden Slumber (2018)

By James Marsh (180) for South China Morning Post (665) on 21 Mar 2018

As a straight-up conspiracy thriller, Golden Slumber is best described as slickly and efficiently executed, rather than genuinely entertaining…

Review of Wonderstruck (2017)

By James Marsh (180) for South China Morning Post (665) on 21 Mar 2018

Haynes' fastidious cinematic diorama of New York emerges as a tedious and self-indulgent folly…

Review of Night Is Short, Walk On Girl (2017)

By Richard James Havis (225) for South China Morning Post (665) on 21 Mar 2018

The whole thing is a postmodern trip, with animation styles varying greatly to fit the mood: bright pop art colours, dark Rembrandt tones and…

Review of Game Night (2018)

By Richard James Havis (225) for South China Morning Post (665) on 15 Mar 2018

The decision to mix in some brutal shootings with the expected sexual innuendos and flatulent humour results in an uneven mix which is only…

Review of Buena Vista Social Club: Adios (2017)

By Richard James Havis (225) for South China Morning Post (665) on 15 Mar 2018

Fans of both Wenders' movie and of Cuban music ... will find it expands their knowledge and love of son, Cuba's unique sound…

Review of The Hurricane Heist (2018)

By James Marsh (180) for South China Morning Post (665) on 15 Mar 2018

To call The Hurricane Heist a disaster seems unfair to inclement weather. It just blows…

Review of Detective Chinatown 2 (2018)

By James Marsh (180) for South China Morning Post (665) on 15 Mar 2018

Detective Chinatown 2 paints a wildly reductive picture of contemporary America, which it populates entirely with gun-toting gang bangers,…

Review of Goodbye Christopher Robin (2017)

By Richard James Havis (225) for South China Morning Post (665) on 15 Mar 2018

Goodbye Christopher Robin is an emotionally brutal film which allows no quarter to its unloving and unlovable characters…

Review of 7 Days in Entebbe (2018)

By James Marsh (180) for South China Morning Post (665) on 15 Mar 2018

Neither a rousing military showcase nor a barbed commentary on the Middle East, 7 Days in Entebbe is both safe and unsatisfying…

Review of Den of Thieves (2018)

By Richard James Havis (225) for South China Morning Post (665) on 15 Mar 2018

Hardcore action fans might find enough to satiate their desire for tricky gunplay and explosive violence in this gritty heist thriller, but…

Review of Tomb Raider (2018)

By James Marsh (180) for South China Morning Post (665) on 08 Mar 2018

The action is edited to ribbons, and an over-reliance on CG augmentation starves the more ambitious set pieces of any sense of threat or physicality…

Review of Mark Felt: The Man Who Brought Down the White House (2017)

By James Marsh (180) for South China Morning Post (665) on 08 Mar 2018

Any effort to compare scandals past and present fly by in this wastefully curtailed re-enactment of an impactful historical moment…

Review of Berlin Syndrome (2017)

By Richard James Havis (225) for South China Morning Post (665) on 08 Mar 2018

It's a shame that stories about women who are abducted, sexually abused and beaten up are still considered suitable for mainstream entertainment…

Review of Phantom Thread (2017)

By James Mottram (656) for South China Morning Post (665) on 08 Mar 2018

Day-Lewis, in what he claims to be his final role, is quite marvellous: cruel, vulnerable, humorous and preening…

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