Movie Reviews Published by South China Morning Post - Page 26 of 34

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Review of Demolition (2016)

By James Mottram (656) for South China Morning Post (665) on 10 Apr 2016

Credit Vallée - one of the best actors' directors working in Hollywood - for going out on a limb here, depicting the unusual ways inner turmoil…

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Review of 2001: A Space Odyssey (1968)

By Edmund Lee (132) for South China Morning Post (665) on 10 Apr 2016

With its breathtaking photography and a still-unparalleled sense of wonder, the film demonstrated Kubrick's single-minded focus to inspire…

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Review of Louder Than Bombs (2015)

By James Marsh (180) for South China Morning Post (665) on 09 Apr 2016

Trier juxtaposes this tangled web of troubled individuals with a confident hand that gives his characters room to breathe…

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Review of Kung Fu Panda 3 (2016)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

A plot as patchy as a panda doesn't mar the enjoyment of this third look at the animated high-kicking bear and his fighting animal friends…

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Review of Insidious: Chapter 3 (2015)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

This movie is unnecessarily sadistic…

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Review of Sicario (2015)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

A textbook piece of thriller filmmaking. The script is labyrinthine and credible, the locations look realistic, and the acting is uniformly superb…

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Review of Trumbo (2015)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

The story is a neat mix of politics, Hollywood manipulation, and family life…

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Review of The Choice (1971)

By James Marsh (180) for South China Morning Post (665) on 05 Apr 2016

While The Choice certainly isn't for everyone, there is something refreshing to be wrung from such an unabashedly earnest and wholesome world view…

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Review of Tag (2015)

By James Marsh (180) for South China Morning Post (665) on 05 Apr 2016

Tag has enjoyed a healthy run on the midnight festival circuit, but from the outset its sleazy tone is off-putting even by late-night horror…

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Review of Burnt (2015)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

While the chef's rock-star persona…

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Review of Me and Earl and the Dying Girl (2015)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

This delicate movie elevates itself from the usual run-of-the-mill schooldays saga with a script that is one part funny, one part tragic and…

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Review of Legend (2015)

By James Mottram (656) for South China Morning Post (665) on 05 Apr 2016

Helgeland's film falls way short compared to Peter Medak's 1990 film The Krays, which elevated their story to an almost poetic level…

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Review of Carol (1974)

By James Mottram (656) for South China Morning Post (665) on 05 Apr 2016

The torment is captured well enough in the faces of the actors, their characters locked inside an indifferent, inhospitable world…

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Review of Gods of Egypt (2016)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

This unfortunate film dearly wants to be Thor set in ancient Egypt, but ... comes up way short of that unambitious aim…

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Review of It Follows (2015)

By Edmund Lee (132) for South China Morning Post (665) on 05 Apr 2016

The genius of It Follows lies in the simplicity of its set-up…

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Review of The Choice (1987)

By James Marsh (180) for South China Morning Post (665) on 05 Apr 2016

While The Choice certainly isn't for everyone, there is something refreshing to be wrung from such an unabashedly earnest and wholesome world view…

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Review of Knock Knock (2015)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

Although Keanu Reeves has never been noted for his subtlety as a thespian, his performance as a captive husband in Knock Knock could easily…

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Review of The 33 (2015)

By James Marsh (180) for South China Morning Post (665) on 05 Apr 2016

The 33 feels perpetually caught between championing this triumph of human spirit and technical innovation over the forces of nature…

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Review of Knock Knock! (2015)

By Richard James Havis (225) for South China Morning Post (665) on 05 Apr 2016

Although Keanu Reeves has never been noted for his subtlety as a thespian, his performance as a captive husband in Knock Knock could easily…

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Review of Star Wars: The Force Awakens (2015)

By James Mottram (656) for South China Morning Post (665) on 05 Apr 2016

What's really surprising too is just how emotional it all is. More than just nostalgia, The Force Awakens earns its tears…

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