Movie Reviews Published by Slashfilm - Page 9 of 49

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Review of Peter von Kant (2022)

By Barry Levitt (12) for Slashfilm (971) on 27 Oct 2022

While it does occasionally feel a little too one-note and repetitive, even in its brief runtime, a host of wonderful performances, meticulous…

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Review of The Pez Outlaw (2022)

By Chris Evangelista (306) for Slashfilm (971) on 21 Oct 2022

The Pez Outlaw ends up being so quick, breezy, and fun, that it ultimately does its job and, unlike the chalky sweet Pez candy, never leaves…

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Review of Ticket to Paradise (2022)

By Josh Spiegel (148) for Slashfilm (971) on 19 Oct 2022

George Clooney and Julia Roberts remain two of the best, most charismatic movie stars to ever grace the silver screen, and we're fortunate…

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Review of Black Adam (2022)

By Witney Seibold (272) for Slashfilm (971) on 18 Oct 2022

If the entire function of Black Adam is to set up a fight between Adam and Superman, as Johnson has said in public, perhaps skip a Black Adam…

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Review of Brainwashed: Sex-Camera-Power (2022)

By Ethan Anderton (34) for Slashfilm (971) on 17 Oct 2022

Brainwashed isn't so much of a shocking revelation as it is an eye-opening wake-up call to be more thoughtful about how women are depicted…

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Review of She Said (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 13 Oct 2022

She Said is not as economical in its filmmaking as Spotlight nor as robust as Shattered Glass…

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Review of Halloween Ends (2022)

By Jeff Ewing (14) for Slashfilm (971) on 13 Oct 2022

Halloween Ends settles the series' score, but it does so in a way that lacks a central logic and that spends an inordinate amount of time on…

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Review of My Father's Dragon (2022)

By Sarah Milner (17) for Slashfilm (971) on 12 Oct 2022

Between the charming hand-drawn aesthetic, the imaginative setting, and the myth-like narrative structure, it has that rare quality of being…

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Review of Rosaline (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 11 Oct 2022

The romantic comedy is painfully self-aware but rarely clever, instead falling back on rom-com tropes that were creaky back in the modern Shakespeare…

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Review of Sissy (2022)

By Matt Donato (975) for Slashfilm (971) on 10 Oct 2022

Sadly, some only listen when the quiet part is said out loud — Sissy blares its concerns and horrors like neon demons in front of the brightest…

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Review of Sissy (2022)

By Matt Donato (975) for Slashfilm (971) on 10 Oct 2022

Sadly, some only listen when the quiet part is said out loud — Sissy blares its concerns and horrors like neon demons in front of the brightest…

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Review of Roald Dahl's Matilda the Musical (2022)

By Hannah Shaw-Williams (2) for Slashfilm (971) on 06 Oct 2022

With lush, fun cinematography, creative staging, and some true powerhouse music and dance numbers, the strengths of Matilda more than make…

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Review of Amsterdam (2022)

By Jeff Ewing (14) for Slashfilm (971) on 05 Oct 2022

Amsterdam indeed has a number of charming scenes, a stunningly top-tier cast, and flawless cinematography…

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Review of Showing Up (2023)

By Caroline Cao (13) for Slashfilm (971) on 05 Oct 2022

It's in favor of observing an artist, busy with her projects and her family life, like slowly sipping a warm cup of tea…

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Review of Mr. Harrigan's Phone (2022)

By Chris Evangelista (306) for Slashfilm (971) on 04 Oct 2022

It's a type of slow-burn, psychological horror…

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Review of Hellraiser (2022)

By Chris Evangelista (306) for Slashfilm (971) on 29 Sep 2022

Hellraiser was in bad shape, and what Bruckner has done here is lift the series out of the gutter to give it a touch of old-school charm…

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Review of Hocus Pocus 2 (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 29 Sep 2022

When there is no actual conflict, the film's already low stakes start to feel meaningless, and the characters' bumbling hijinks around town…

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Review of Spirit Halloween: The Movie (2022)

By Chris Evangelista (306) for Slashfilm (971) on 27 Sep 2022

Once you overlook the commercialism of it all, this premise is fine, and has potential. But writer Billie Bates and director David Poag…

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Review of Smile (2022)

By Chris Evangelista (306) for Slashfilm (971) on 26 Sep 2022

There's real skill and artistry smiling out at us here. Too bad it's buried under so many secondhand scenarios…

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Review of Smile (2021)

By Chris Evangelista (306) for Slashfilm (971) on 26 Sep 2022

There's real skill and artistry smiling out at us here. Too bad it's buried under so many secondhand scenarios…

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