Movie Reviews Published by Slashfilm - Page 7 of 49

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Review of Plane (2023)

By Ryan Scott (4) for Slashfilm (971) on 11 Jan 2023

It's a movie that delivers exactly what it promises. You pull up to the drive-thru, you order your food, you get what you pay for…

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Review of Aftersun (2022)

By Sarah Milner (17) for Slashfilm (971) on 05 Jan 2023

The film's introspective approach works well for developing mood, and its reliance on implied events, rather than telling or otherwise revealing…

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Review of Aftersun (2022)

By Sarah Milner (17) for Slashfilm (971) on 05 Jan 2023

The film's introspective approach works well for developing mood, and its reliance on implied events, rather than telling or otherwise revealing…

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Review of M3GAN (2022)

By Jeff Ewing (14) for Slashfilm (971) on 04 Jan 2023

From a horror standpoint, M3GAN could be scarier, but it's difficult enough for a film to balance suspense, a nuanced look at grief, and intelligently…

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Review of A Man Called Otto (2022)

By Jeff Ewing (14) for Slashfilm (971) on 28 Dec 2022

A Man Called Otto has its moments, both humorous and heartwarming, and it works better than it should due to the strength of its performances…

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Review of The Pale Blue Eye (2022)

By Chris Evangelista (306) for Slashfilm (971) on 22 Dec 2022

There are snapshots of something greater here; hints of a grander mystery, a bigger twist, a better climax…

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Review of Whitney Houston: I Wanna Dance with Somebody (2022)

By Mike Shutt (9) for Slashfilm (971) on 21 Dec 2022

This is just another run-of-the-mill, dramatically limp music biopic meant to be pure brand management…

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Review of Babylon (2022)

By Jeff Ewing (14) for Slashfilm (971) on 16 Dec 2022

One can't help but note the irony of a film about the pivot from the silent era to the talkies having such a loud, booming start but ending…

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Review of Babylon (2022)

By Jeff Ewing (14) for Slashfilm (971) on 16 Dec 2022

One can't help but note the irony of a film about the pivot from the silent era to the talkies having such a loud, booming start but ending…

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Review of Jurassic Punk (2022)

By Ethan Anderton (34) for Slashfilm (971) on 13 Dec 2022

The film occasionally has trouble balancing the two subjects, with the more personal side of the doc occasionally getting lost in the archival…

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Review of Avatar: The Way of Water (2022)

By Chris Evangelista (306) for Slashfilm (971) on 13 Dec 2022

Avatar: The Way of Water overstays its welcome but it sure is thrilling when it wants to be…

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Review of Raymond & Ray (2022)

By Hoai-Tran Bui (110) for Slashfilm (971) on 12 Dec 2022

It wastes the potential silver screen magic you could have by casting Hawke and McGregor as once-close brothers who are forced together by…

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Review of One Fine Morning (2022)

By Caroline Cao (13) for Slashfilm (971) on 12 Dec 2022

Like in her previous works, director Hansen-Løve has a gentleness when painting the portrait of women living and enduring in transitions,…

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Review of Christmas Bloody Christmas (2022)

By Chris Evangelista (306) for Slashfilm (971) on 07 Dec 2022

There's something near-magical about the strands of multicolored lights that occupy nearly every frame of the film, offering a winter wonderland…

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Review of Darby and the Dead (2022)

By Cass Clarke (3) for Slashfilm (971) on 30 Nov 2022

While its premise is fairly run-of-the-mill for a teen flick, its underlying messaging and approach to a taboo subject matter elevates the…

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Review of Violent Night (2022)

By Ben F. Silverio (2) for Slashfilm (971) on 29 Nov 2022

The movie unexpectedly has a ton of heart that's guaranteed to refuel your Christmas spirit this year…

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Review of Christmas with the Campbells (2022)

By Ethan Anderton (34) for Slashfilm (971) on 29 Nov 2022

This is the hilarious hidden gem of the holidays, and it's better than any of the other new releases trying to hit that Christmas sweet spot…

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Review of All the Beauty and the Bloodshed (2022)

By Lex Briscuso (44) for Slashfilm (971) on 23 Nov 2022

Nothing short of a true-life triumph, All The Beauty and the Bloodshed is all at once the most important film about addicts, outcasts, and…

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Review of Strange World (2022)

By Josh Spiegel (148) for Slashfilm (971) on 21 Nov 2022

Though Strange World has no meme-worthy songs like Encanto, its imagery is singular and unforgettable, and its adventurous spirit is genuine…

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Review of Strange World (2022)

By Josh Spiegel (148) for Slashfilm (971) on 21 Nov 2022

Though Strange World has no meme-worthy songs like Encanto, its imagery is singular and unforgettable, and its adventurous spirit is genuine…

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