Movie Reviews Published by Slashfilm - Page 5 of 49

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Review of Creed III (2023)

By Chris Evangelista (306) for Slashfilm (971) on 23 Feb 2023

Indeed, I sure hope Creed doesn't take the Rocky route and pump out sequel after sequel…

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Review of We Have a Ghost (2023)

By Chris Evangelista (306) for Slashfilm (971) on 23 Feb 2023

We Have a Ghost can't escape its overstuffed nature, and that hampers the entire experience…

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Review of Cocaine Bear (2023)

By Chris Evangelista (306) for Slashfilm (971) on 23 Feb 2023

I'm all for rampaging animal movies. I'm all for ultra-silliness. I'm all for lots of gore…

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Review of All That Breathes (2022)

By Caroline Cao (13) for Slashfilm (971) on 19 Feb 2023

Even if the bird rescuers' efforts are merely a Band-Aid against an ever-engulfing miasma, Shaunak Sen provides a worthy arc for the audience…

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Review of Honk for Jesus. Save Your Soul. (2022)

By Barry Levitt (12) for Slashfilm (971) on 19 Feb 2023

It's a story that feels equal parts ludicrous and lived-in, and it's a promising debut for Ebo, and I hope we'll be hearing plenty more from…

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Review of Winnie the Pooh: Blood and Honey (2023)

By Witney Seibold (272) for Slashfilm (971) on 16 Feb 2023

Blood and Honey will disappoint fans of Pooh, fans of irony, and fans of horror. Don't bother…

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Review of Ant-Man and the Wasp: Quantumania (2023)

By Jeff Ewing (14) for Slashfilm (971) on 14 Feb 2023

Altogether, Ant-Man and the Wasp: Quantumania is a fun MCU entry that finally starts to feel like the new Saga is pointing somewhere interesting…

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Review of Magic Mike's Last Dance (2023)

By Rafael Motamayor (108) for Slashfilm (971) on 11 Feb 2023

Rather than the gritty drama of the first film or the delightful fantasy of the second, we instead get a dull romance with paper-thin characters,…

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Review of At Midnight (2023)

By Jeremy Mathai (5) for Slashfilm (971) on 10 Feb 2023

At Midnight is caught between its reverence for what came before and the relevance of figuring out where it's going next…

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Review of Your Place or Mine (2023)

By Lex Briscuso (44) for Slashfilm (971) on 09 Feb 2023

The stakes aren't very high in this film, and there are a few cardinal cinema sins at work here, but overall, Your Place Or Mine ends up being…

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Review of Somebody I Used to Know (2023)

By Jeff Ewing (14) for Slashfilm (971) on 09 Feb 2023

It takes some smart turns in the finale that modernize old tropes and give familiar beats a refreshing upgrade to relevant (but perhaps insufficient)…

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Review of Knock at the Cabin (2023)

By Chris Evangelista (306) for Slashfilm (971) on 01 Feb 2023

Tension is the name of the game, and Shyamalan knows exactly how to build it. It rises and builds to the point of breaking…

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Review of passages (2023)

By Barry Levitt (12) for Slashfilm (971) on 01 Feb 2023

This is Ira Sach's best film in years, a magnetic, emotional, and hugely watchable exploration of love and sex in the modern age…

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Review of Passages (2023)

By Barry Levitt (12) for Slashfilm (971) on 01 Feb 2023

This is Ira Sach's best film in years, a magnetic, emotional, and hugely watchable exploration of love and sex in the modern age…

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Review of Stampede (2022)

By Barry Levitt (12) for Slashfilm (971) on 01 Feb 2023

Rodeo is a daring and impressive debut feature that accomplishes something wonderful about movies: it explores a world that few know with a…

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Review of 80 for Brady (2023)

By Jeff Ewing (14) for Slashfilm (971) on 30 Jan 2023

80 for Brady isn't the most original play in the playbook, minus the sheer atypicality of aiming a gang of protagonists with around almost…

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Review of Talk to Me (2023)

By Chris Evangelista (306) for Slashfilm (971) on 28 Jan 2023

The Philippou brothers have a great grasp on nasty, shocking, Raimi-like horror, and that goes a long way toward tipping the scales in a favorable…

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Review of Landscape with Invisible Hand (2023)

By Chris Evangelista (306) for Slashfilm (971) on 28 Jan 2023

Blackk makes for a great protagonist, and Haddish gets some big laughs here and there, but the rest of the cast feels slightly lost, primarily…

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Review of The Deepest Breath (2023)

By Ben Pearson (42) for Slashfilm (971) on 28 Jan 2023

A mesmerizing, powerful glimpse at the irresistible siren call of the deep and a somber record of the human cost of pushing boundaries…

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Review of Shortcomings (2023)

By Erin Brady (14) for Slashfilm (971) on 28 Jan 2023

Shortcomings is a charming debut with plenty of fast-cracking jokes…

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