Movie Reviews Published by Slashfilm - Page 35 of 49

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Review of Miss Americana (2020)

By Chris Evangelista (306) for Slashfilm (971) on 24 Jan 2020

Most of all, it’s empowering to watch Swift finally come into her own…

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Review of Bad Hair (2020)

By Ben Pearson (42) for Slashfilm (971) on 24 Jan 2020

Part Brian De Palma flick, part Invasion of the Body Snatchers, part Dracula, and part Stepford Wives, Bad Hair filters its influences through…

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Review of The Gentlemen (2020)

By Hoai-Tran Bui (110) for Slashfilm (971) on 23 Jan 2020

Ritchie doesn’t handle the messages he wishes to impart as skillfully as he could — instead, he’s preoccupied with revisiting the beats…

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Review of Color Out of Space (2020)

By Chris Evangelista (306) for Slashfilm (971) on 23 Jan 2020

As things grow more dire and mad for the Gardners, don’t be surprised if you find your eyes starting to water and your head starting to pound…

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Review of How to Train Your Dragon: The Hidden World (2019)

By Hoai-Tran Bui (110) for Slashfilm (971) on 23 Jan 2020

The Hidden World isn’t “big.” It doesn’t offer a shattering emotional moment, it doesn’t tear your heart in pieces…

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Review of Waves (2019)

By Chris Evangelista (306) for Slashfilm (971) on 20 Jan 2020

With Waves, the director has crafted his most ambitious film to date – a dizzying, weighty, heart-wrenching saga of one family disintegrating…

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Review of Waves (2019)

By Chris Evangelista (306) for Slashfilm (971) on 20 Jan 2020

With Waves, the director has crafted his most ambitious film to date – a dizzying, weighty, heart-wrenching saga of one family disintegrating…

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Review of Jezebel (2020)

By Joi Childs (30) for Slashfilm (971) on 16 Jan 2020

It’s sexy, but it avoids the common tropes…

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Review of Bad Boys for Life (2020)

By Chris Evangelista (306) for Slashfilm (971) on 15 Jan 2020

It’s the unexpected amount of heart that ends up making Bad Boys for Life a pleasant surprise…

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Review of Jojo Rabbit (2019)

By Chris Evangelista (306) for Slashfilm (971) on 15 Jan 2020

Waititi’s World War II satire is both a magic trick and a high-wire act – the filmmaker keeps pulling rabbits out of his hat while balancing…

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Review of Dolittle (2020)

By Hoai-Tran Bui (110) for Slashfilm (971) on 15 Jan 2020

Everything about Dolittle seems hastily put together — from the whiplash-inducing tonal shifts, to the potty humor, to the poor use of a…

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Review of Like a Boss (2020)

By Hoai-Tran Bui (110) for Slashfilm (971) on 10 Jan 2020

The problem with Like a Boss is that it spends so much time being a pale imitation of other female-led comedies that it overlooks what makes…

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Review of 1917 (2019)

By Chris Evangelista (306) for Slashfilm (971) on 08 Jan 2020

The film underscores its technical prowess with a raw, emotional story that finds beauty struggling to push through all the muck and mire…

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Review of VFW (2019)

By Matt Donato (975) for Slashfilm (971) on 03 Jan 2020

If you’re into “Splatterhouse Cinema” that respects its elders and tenderizes human bodies without remorse, Joe Begos has a pile of discarded…

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Review of The Vast of Night (2019)

By Marisa Mirabal (47) for Slashfilm (971) on 03 Jan 2020

Like the characters that are drawn to the peculiar sound and dark sky on that fateful evening, The Vast of Night is a film that lures the audience’s…

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Review of The Grudge (2019)

By Chris Evangelista (306) for Slashfilm (971) on 03 Jan 2020

There’s plenty of grisly stuff here, and a lot of it is done practically, which might entice some gorehounds. But that can only go so far…

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Review of Uncut Gems (2019)

By Chris Evangelista (306) for Slashfilm (971) on 02 Jan 2020

On one hand, it’s a treat to watch Sandler break out of his endless stream of bargain-basement Netflix comedies to try something like this…

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Review of Little Women (2019)

By Hoai-Tran Bui (110) for Slashfilm (971) on 22 Dec 2019

It can at times feel sentimental and mawkish — an inevitability of adapting the classic story — but no other film in 2019 has conveyed…

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Review of Togo (2019)

By Josh Spiegel (148) for Slashfilm (971) on 19 Dec 2019

Willem Dafoe isn’t delivering one of his all-time performances, but he’s also not phoning it in. And these are, truly, good dogs…

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Review of Star Wars: The Rise of Skywalker (2019)

By Chris Evangelista (306) for Slashfilm (971) on 18 Dec 2019

There’s so much wasted potential here…

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