Movie Reviews Published by Slashfilm - Page 30 of 49

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Review of 76 Days (2020)

By Jason Gorber (520) for Slashfilm (971) on 19 Sep 2020

It manages in a concise and remarkable way to illustrate not only the ravages of this new virus but how its effects continue to resonate no…

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Review of Falling (2021)

By Jason Gorber (520) for Slashfilm (971) on 17 Sep 2020

Falling fails hard, unable to generate sympathy for its protagonists and relying entirely on the charms of its writer/director to sustain interest…

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Review of Shiva Baby (2021)

By Jason Gorber (520) for Slashfilm (971) on 16 Sep 2020

Sullen, sarcastic, silly and seductive at various times, the film manages to walk a high-wire act of tone, making the act of mourning the least…

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Review of One Night in Miami... (2020)

By Chris Evangelista (306) for Slashfilm (971) on 12 Sep 2020

One Night in Miami never once feels preachy, or overly speechy. The conversations seem natural, as does the chemistry between these performers…

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Review of The Devil All the Time (2020)

By Chris Evangelista (306) for Slashfilm (971) on 11 Sep 2020

Sprawling and brutal, The Devil All the Time is not for the impatient or the squeamish…

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Review of David Byrne's American Utopia (2020)

By Chris Evangelista (306) for Slashfilm (971) on 10 Sep 2020

It is an overall joyous experience – infectious, you could say…

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Review of 12 Hour Shift (2020)

By Matt Donato (975) for Slashfilm (971) on 08 Sep 2020

12 Hour Shift never takes itself seriously enough to make the calamity that ensues anything more than “dumb fun,” and I mean that positively…

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Review of 12 Hour Shift (2020)

By Chris Evangelista (306) for Slashfilm (971) on 08 Sep 2020

The stage is set for all sorts of misadventures, and sure enough, Grant’s film leans into them, heavily, resulting in a film populated by…

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Review of Critical Thinking (2020)

By Ethan Anderton (34) for Slashfilm (971) on 03 Sep 2020

Unlike some movies that feature a group of urban teens inspired by a teacher and their lessons, it doesn’t make it seem like merely winning…

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Review of Mulan (2020)

By Hoai-Tran Bui (110) for Slashfilm (971) on 03 Sep 2020

What Mulan does suffer from is the absence of the levity that the musical elements would have brought…

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Review of Antebellum (2020)

By Chris Evangelista (306) for Slashfilm (971) on 31 Aug 2020

Antebellum feels curiously unfinished. Rushed, even. You catch a glimpse of what the filmmakers are going for here, but never entirely buy it…

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Review of The New Mutants (2020)

By Jason Gorber (520) for Slashfilm (971) on 28 Aug 2020

The scares are more textural than truly creepy, and they’re certainly overshadowed by what’s primarily a character piece, with each person’s…

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Review of Bill & Ted Face the Music (2020)

By Hoai-Tran Bui (110) for Slashfilm (971) on 28 Aug 2020

Face the Music is just so overwhelmingly nice…

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Review of I'm Thinking of Ending Things (2020)

By Chris Evangelista (306) for Slashfilm (971) on 27 Aug 2020

It’s a beautiful, strange terrarium of a film, inviting us to gaze through the glass and wonder what’s going on underneath…

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Review of Tenet (2020)

By Jason Gorber (520) for Slashfilm (971) on 21 Aug 2020

No other artform could quite present such a collision of time, place, idea and emotion, and it’s clear that Nolan’s pure intent is to give…

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Review of The Secret Garden (2020)

By Hoai-Tran Bui (110) for Slashfilm (971) on 06 Aug 2020

Though Munden attempts to overload our senses with rich visuals, The Secret Garden does end up feeling kind of slight, like the film rushed…

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Review of An American Pickle (2020)

By Chris Evangelista (306) for Slashfilm (971) on 05 Aug 2020

There’s an undeniable and lovely sweetness at play in this film; a type of warmth and acceptance that helps elevate the entire package…

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Review of Spree (2020)

By Ben Pearson (42) for Slashfilm (971) on 23 Jul 2020

Keery turns in a good performance, insomuch as Kurt’s thirsty loser is a 180-degree turn from Steve Harrington on Stranger Things, but there’s…

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Review of Amulet (2020)

By Chris Evangelista (306) for Slashfilm (971) on 23 Jul 2020

A painfully slow slog, this horror film from Romola Garai has plenty of good ideas and a few neat creature effects, but that’s not enough…

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Review of The Rental (2020)

By Chris Evangelista (306) for Slashfilm (971) on 20 Jul 2020

As far as directorial debuts go, The Rental is a strong start for Franco, who proves here he can take not just one but two different tried-and-true…

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