Movie Reviews Published by Slashfilm - Page 21 of 49

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Review of The French Dispatch of the Liberty, Kansas Evening Sun (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 19 Oct 2021

As visually overwhelming and artfully engineered a film as The French Dispatch is, it's also one of secret warmth lurking beneath the surface…

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Review of The Blazing World (2021)

By Chris Evangelista (306) for Slashfilm (971) on 15 Oct 2021

Young does her best to carry this all on her shoulders, and while she nails her early scenes playing up Margaret's instability, she eventually…

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Review of Luzzu (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 14 Oct 2021

It's a heartbreaking, but clear-eyed look at the last gasp of a dying industry, and a man whose whole identity, whole livelihood gets shattered…

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Review of Knocking (2021)

By Chris Evangelista (306) for Slashfilm (971) on 07 Oct 2021

As a sensory experience, Knocking is stunning…

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Review of No Time to Die (2021)

By Phil Nobile Jr. (15) for Slashfilm (971) on 04 Oct 2021

The return of Madeleine Swann (Léa Seydoux) makes a strong case that extended continuity is an albatross around this franchise's neck…

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Review of The Addams Family 2 (2021)

By Josh Spiegel (148) for Slashfilm (971) on 01 Oct 2021

The Addams Family 2 makes exceedingly few right moves, feeling tossed-off right to the very end…

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Review of Titane (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 01 Oct 2021

Slightly confused as Titane might be in what it's trying to say, at least it is saying something bold and wild and challenging…

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Review of Venom: Let There Be Carnage (2021)

By Chris Evangelista (306) for Slashfilm (971) on 30 Sep 2021

There are countless superhero movies better than this. Better written, better directed, better acted, better made…

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Review of The Black Phone (2022)

By Eric Vespe (2) for Slashfilm (971) on 27 Sep 2021

For my money, The Black Phone is more complete and effective than Derrickson's previous horror movie Sinister and is the first feature adaptation…

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Review of The Tragedy of Macbeth (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 24 Sep 2021

Coen shows an understanding of Shakespeare's original play as well as a willingness to go beyond it…

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Review of The Tragedy of Macbeth (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 24 Sep 2021

Coen shows an understanding of Shakespeare's original play as well as a willingness to go beyond it…

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Review of Dear Evan Hansen (2021)

By Josh Spiegel (148) for Slashfilm (971) on 23 Sep 2021

Dear Evan Hansen, for all the plaudits it received on stage, is a hollow attempt at broad-based sincerity that felt hollow even before it became…

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Review of The Many Saints of Newark (2021)

By Chris Evangelista (306) for Slashfilm (971) on 21 Sep 2021

The Many Saints of Newark is smart enough to point out that Livia isn't an anomaly in this world — she's just another borderline-sociopath…

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Review of The Humans (2021)

By Chris Evangelista (306) for Slashfilm (971) on 18 Sep 2021

The cast is dynamite across the board. The way they converse with each other feels wholly natural, as if they've been talking for years…

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Review of Cry Macho (2021)

By Josh Spiegel (148) for Slashfilm (971) on 17 Sep 2021

It's now hard to imagine that Unforgiven felt very much like Eastwood closing the book on his Western era…

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Review of Spencer (2021)

By Chris Evangelista (306) for Slashfilm (971) on 17 Sep 2021

Spencer will break your heart, but it will bring it warmth, too…

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Review of Best Sellers (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 17 Sep 2021

Though you can see its twists coming from a mile away, Caine and Plaza's oddball dynamic and Roessler's visually stimulating direction makes…

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Review of Dashcam (2022)

By Chris Evangelista (306) for Slashfilm (971) on 16 Sep 2021

As social commentary, it's weak. As a comedy, it's unfunny. As a horror movie, it's not very scary…

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Review of Sundown (2022)

By Chris Evangelista (306) for Slashfilm (971) on 15 Sep 2021

The genius of Sundown is how little it tells us while keeping us glued to what we're seeing…

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Review of Blue Bayou (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 15 Sep 2021

Chon aims for the pulse at the end, but he may not have realized that he didn't have to try so hard — he had already effortlessly plucked…

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