Movie Reviews Published by Slashfilm - Page 19 of 49

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Review of Good Luck to You, Leo Grande (2022)

By Ben Pearson (42) for Slashfilm (971) on 24 Jan 2022

Good Luck to You, Leo Grande is a spellbinding piece of filmmaking, an acting masterclass, a celebration of the written word, and a powerful…

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Review of Cha Cha Real Smooth (2022)

By Ben Pearson (42) for Slashfilm (971) on 24 Jan 2022

Even if its archetypes might feel overly familiar, the formula works for a reason, and when anything is executed with such pure-hearted joy…

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Review of Call Jane (2022)

By Chris Evangelista (306) for Slashfilm (971) on 24 Jan 2022

The film is so laser-focused on Joy there's often no room for anything, or anyone else…

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Review of Dual (2022)

By Ben Pearson (42) for Slashfilm (971) on 24 Jan 2022

Ruthless, deeply cynical, and thrumming with jet-black humor, Dual is a Riley Stearns movie through and through…

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Review of Breaking (2022)

By Ethan Anderton (34) for Slashfilm (971) on 24 Jan 2022

While the story at the center of 892 is undeniably compelling, the film has trouble keeping the engine running beyond the natural tension that…

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Review of Fresh (2022)

By Shania Russell (6) for Slashfilm (971) on 24 Jan 2022

Fresh is shameless and hilariously audacious, anticipating critique even when it can't quite offer a response…

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Review of After Yang (2022)

By Ben Pearson (42) for Slashfilm (971) on 23 Jan 2022

An effective blend of lyrical impressionism and controlled precision, After Yang is another quietly impressive effort from Kogonada…

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Review of A Love Song (2022)

By Shania Russell (6) for Slashfilm (971) on 23 Jan 2022

A Love Song is rough around the edges, but between its gorgeously crafted world and Dickey's ability to ground the film with a single expression,…

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Review of When You Finish Saving the World (2023)

By Chris Evangelista (306) for Slashfilm (971) on 22 Jan 2022

Awkwardness ends up being the name of the game here, with Eisenberg constructing an intentional cringefest; the type of movie that has you…

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Review of Fire of Love (2022)

By Ben Pearson (42) for Slashfilm (971) on 22 Jan 2022

Fire of Love is a riveting portrait of a charismatic couple who lived life on the edge…

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Review of Emergency (2022)

By Ethan Anderton (34) for Slashfilm (971) on 22 Jan 2022

The result is a chaotic, surprisingly funny, and intense night gone wrong that masterfully balances comedy, drama, and suspense. …

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Review of Hotel Transylvania: Transformania (2022)

By Josh Spiegel (148) for Slashfilm (971) on 10 Jan 2022

If there is anything new to this film, it's the sense that the series is self-aware enough to understand that it's time to wrap up…

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Review of The 355 (2022)

By Josh Spiegel (148) for Slashfilm (971) on 06 Jan 2022

The 355 is the cinematic equivalent of Hydrox…

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Review of Sing 2 (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 22 Dec 2021

Sing 2 feels like a relic from another era. And oddly, a relic that really wants to sell you on U2 songs…

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Review of The Matrix Resurrections (2021)

By Chris Evangelista (306) for Slashfilm (971) on 21 Dec 2021

It would've been incredibly simple to give us a traditional Matrix 4. Instead, The Matrix Resurrections takes its big-budget and runs wild…

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Review of The Tender Bar (2021)

By Chris Evangelista (306) for Slashfilm (971) on 18 Dec 2021

In the end, Affleck is the film's only real draw…

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Review of The King's Man (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 14 Dec 2021

As charismatic as its stars are, and as refreshing as its period setting is, the wildly inconsistent tone and overstuffed runtime loses whatever…

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Review of Spider-Man: No Way Home (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 13 Dec 2021

If you poke too many holes in the narrative, Spider-Man: No Way Home starts to become undone…

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Review of I Was a Simple Man (2021)

By Hoai-Tran Bui (110) for Slashfilm (971) on 08 Dec 2021

I Was a Simple Man is a slow-burning walk toward the light, a paean for life, and the land and people that shaped it…

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Review of Being the Ricardos (2021)

By Josh Spiegel (148) for Slashfilm (971) on 07 Dec 2021

A better director would have improved its flaws, or maybe pushed Sorkin to go through some of the elements and refashion them…

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