Movie Reviews Published by Slant Magazine - Page 74 of 415

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Review of Puzzle (2018)

By Josh Wise (22) for Slant Magazine (8,298) on 11 Jul 2018

The film buoyed by Kelly Macdonald, who's a master of understated vulnerability, but she can't steer it out of the doldrums…

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Review of Puzzle (2018)

By Josh Wise (22) for Slant Magazine (8,298) on 10 Jul 2018

The film buoyed by Kelly Macdonald, who's a master of understated vulnerability, but she can't steer it out of the doldrums…

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Review of Skyscraper (2018)

By Eric Henderson (366) for Slant Magazine (8,298) on 10 Jul 2018

Dwayne The Rock Johnson is the true Tower of Babel, the movie star who with each film gets closer to God and whose films always come tumbling…

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Review of McQueen (2018)

By Diego Semerene (203) for Slant Magazine (8,298) on 10 Jul 2018

As Ian Bonhôte's documentary reveals, Alexander McQueen's suicide was perhaps the all-too-predictable ending to a history of violence…

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Review of The Night Eats the World (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 10 Jul 2018

Dominique Rocher reinvigorates the zombie film only to succumb to the strictures of the coming-of-age romance…

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Review of Hotel Transylvania 3: Summer Vacation (2018)

By Derek Smith (382) for Slant Magazine (8,298) on 09 Jul 2018

There are only so many monster-centric jokes to be made before they become toothless, and only so many ways to preach tolerance before it sounds…

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Review of Siberia (2018)

By Jake Cole (292) for Slant Magazine (8,298) on 09 Jul 2018

The film has the tone and look of a direct-to-video feature, and some shots of Keanu Reeves are so waxen that the actor almost looks rotoscoped…

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Review of Shock and Awe (2017)

By Derek Smith (382) for Slant Magazine (8,298) on 08 Jul 2018

Rob Reiner's film rests on broad, sweeping proclamations about the importance of factual reporting…

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Review of Path of Blood (2018)

By Keith Watson (196) for Slant Magazine (8,298) on 08 Jul 2018

The film in effect positions young jihadis less as fervid, bloodthirsty psychopaths and more as dumb kids at summer camp…

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Review of Siberia (2018)

By Jake Cole (292) for Slant Magazine (8,298) on 07 Jul 2018

The film has the tone and look of a direct-to-video feature, and some shots of Keanu Reeves are so waxen that the actor almost looks rotoscoped…

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Review of Dark Money (2018)

By Keith Watson (196) for Slant Magazine (8,298) on 07 Jul 2018

Kimberly Reed's approach is too bloodless to make us feel the full weight of the injustices her film identifies…

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Review of Siberia (2020)

By Jake Cole (292) for Slant Magazine (8,298) on 07 Jul 2018

The film has the tone and look of a direct-to-video feature, and some shots of Keanu Reeves are so waxen that the actor almost looks rotoscoped…

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Review of A Skin So Soft (2018)

By Clayton Dillard (209) for Slant Magazine (8,298) on 05 Jul 2018

The pleasure of Denis Côté's film radiates not so much from its storytelling as it does from the meditative force of its formal construction…

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Review of Whitney (2018)

By Josh Wise (22) for Slant Magazine (8,298) on 04 Jul 2018

For most of Kevin Macdonald's film, Whitney Houston seems a guttering flame in a public crosswind, with only fleeting celebration given to…

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Review of Leave No Trace (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 03 Jul 2018

In Leave No Trace, director Debra Granik continues to refine a style of tranquil intensity…

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Review of The First Purge (2018)

By Henry Stewart (71) for Slant Magazine (8,298) on 02 Jul 2018

Especially early on, Gerard McMurray often rejects the exhibitionist slaughter that James DeMonaco established as the Purge series’s modus…

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Review of Two Plains + A Fancy (2018)

By Steve Macfarlane (121) for Slant Magazine (8,298) on 01 Jul 2018

No verbal or written description can do justice to the film's best moments, which seamlessly render the absurd and sublime one and the same…

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Review of Madeline's Madeline (2018)

By Chuck Bowen (756) for Slant Magazine (8,298) on 28 Jun 2018

True to the implications of its title, the devotional insularity of Madeline's Madeline is suffocating, which is appropriate for a film about…

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Review of Relaxer (2019)

By Carson Lund (88) for Slant Magazine (8,298) on 27 Jun 2018

Joel Potrykus's droll world is defined by feats of man-child pettiness, by lazy guys who turn the banalities of daily life into meaningless…

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Review of Sicario: Day of the Soldado (2018)

By Niles Schwartz (11) for Slant Magazine (8,298) on 27 Jun 2018

Day of the Soldado's strained credulity in the last act has an undercurrent of kooky exhilaration, as the plot takes leaps that feel as reckless…

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