Movie Reviews Published by Slant Magazine - Page 196 of 415

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Review of Go for Sisters (2013)

By Bill Weber (150) for Slant Magazine (8,298) on 02 Nov 2013

LisaGay Hamilton and Yolonda Ross play persuasively embody modern urban feminine strength, but they're eventually stranded in a recycled road movie…

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Review of A Case of You (2013)

By Andrew Schenker (354) for Slant Magazine (8,298) on 01 Nov 2013

Kat Coiro's film takes the comedy of discomfort to new levels of cringe-worthiness by presenting…

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Review of Free Birds (2013)

By Chris Cabin (484) for Slant Magazine (8,298) on 31 Oct 2013

The film is absent of humor and thrills, and accented with designs and color schemes that are equally notable for their lack of risk…

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Review of Ender's Game (2013)

By Chris Cabin (484) for Slant Magazine (8,298) on 31 Oct 2013

Gavin Hood relays a vague sense of what it's like to live in duty, and yet at a distance from one's home, but this vision of the future never…

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Review of Sal (2012)

By Nick Mccarthy (53) for Slant Magazine (8,298) on 30 Oct 2013

It functions under the delusion that subtext will magically appear if you linger on a character long enough, and the significance of most of…

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Review of A Perfect Man (2013)

By Drew Hunt (128) for Slant Magazine (8,298) on 30 Oct 2013

In its elliptical presentation of its characters' lives, brings to mind the latter-day films of Philippe Garrel, but Kees Van Oostrum's genre…

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Review of Sal (2013)

By Nick Mccarthy (53) for Slant Magazine (8,298) on 30 Oct 2013

It functions under the delusion that subtext will magically appear if you linger on a character long enough, and the significance of most of…

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Review of The Broken Circle Breakdown (2012)

By Wes Greene (110) for Slant Magazine (8,298) on 29 Oct 2013

Felix Van Groeningen's film owes more than a debt to the unwieldy narrative schematics of Susanne Bier's narratives…

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Review of These Birds Walk (2012)

By Kenji Fujishima (277) for Slant Magazine (8,298) on 29 Oct 2013

The filmmakers use a wide range of cinematic techniques to convey the tenuous environment in which their subjects find themselves…

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Review of In the Name of... (2013)

By Bill Weber (150) for Slant Magazine (8,298) on 29 Oct 2013

This Polish gay priest tempted drama is almost as confused about the moral quandaries of its characters as they are…

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Review of Aftermath (2014)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 28 Oct 2013

The film isn't so much about the moral atrophy of people who refuse to come to terms with their past as it is about cosmic karma passed from…

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Review of Aftermath (2013)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 28 Oct 2013

The film isn't so much about the moral atrophy of people who refuse to come to terms with their past as it is about cosmic karma passed from…

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Review of Big Sur (2013)

By David Lee Dallas (23) for Slant Magazine (8,298) on 28 Oct 2013

The viewer is informed of a world of chaos, obsession, and irresolution, but has no cinematic means of accessing or understanding it…

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Review of Aftermath (2013)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 28 Oct 2013

The film isn't so much about the moral atrophy of people who refuse to come to terms with their past as it is about cosmic karma passed from…

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Review of Last Vegas (2013)

By Abhimanyu Das (25) for Slant Magazine (8,298) on 28 Oct 2013

The film is depressing, sub-sitcom fodder that will dull whatever affection you may still harbor for these legendary actors…

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Review of Mr. Nobody (2009)

By Chuck Bowen (756) for Slant Magazine (8,298) on 28 Oct 2013

The only truly graspable notion the film can be said to put forth is one of increasingly tedious sci-fi-romantic genre busy-ness…

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Review of Aftermath (2013)

By Ela Bittencourt (29) for Slant Magazine (8,298) on 28 Oct 2013

The film isn't so much about the moral atrophy of people who refuse to come to terms with their past as it is about cosmic karma passed from…

Read Review

Review of Man of Tai Chi (2013)

By Chuck Bowen (756) for Slant Magazine (8,298) on 26 Oct 2013

The film ultimately doesn't live up to this early potential, as Keanu Reeves loses his way in the third act with too many false climaxes…

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Review of Dallas Buyers Club (2013)

By Jesse Cataldo (136) for Slant Magazine (8,298) on 24 Oct 2013

Conventional but never sanctimonious, it balances out its familiar recovery angle with a healthy measure of sardonic wit…

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Review of Seduced and Abandoned (2013)

By Chuck Bowen (756) for Slant Magazine (8,298) on 23 Oct 2013

Toback's frequent gasbaggery is often forgivable. Underneath his party-boy hubris beats the heart of an occasionally major artist…

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Page 196 of 415

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