Movie Reviews Published by Sight and Sound - Page 9 of 42

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Review of Lean on Pete (2018)

By Philip Kemp (186) for Sight and Sound (827) on 08 May 2018

For all its sometimes over-episodic structure, Haigh has crafted a quietly affecting coming-of-age journey tale sustained by a central performance…

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Review of The Gateway (2018)

By Anton Bitel (1,340) for Sight and Sound (827) on 27 Apr 2018

Merging the multiverse confusion of James Ward Byrkit's Coherence (2013) with the resurrection-gone-wrong sensibilities of Mary Lambert's Pet…

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Review of The Gateway (2018)

By Anton Bitel (1,340) for Sight and Sound (827) on 27 Apr 2018

Merging the multiverse confusion of James Ward Byrkit's Coherence (2013) with the resurrection-gone-wrong sensibilities of Mary Lambert's Pet…

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Review of Avengers: Infinity War (2018)

By Kim Newman (791) for Sight and Sound (827) on 26 Apr 2018

Given that the plot motor is Thanos's worry that the universe is overpopulated, sly self-awareness is shown as the filmmakers embrace drastic…

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Review of Beast (2018)

By Philip Kemp (186) for Sight and Sound (827) on 25 Apr 2018

Beast maintains, at least until a comparative let-down of an ending, a compelling degree of sexual and psychological tension, for which its…

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Review of A Quiet Place (2018)

By Nikki Baughan (240) for Sight and Sound (827) on 18 Apr 2018

The breathless opening reveals Krasinski's sophisticated filmmaking approach, setting up the premise and showcasing the meticulous attention…

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Review of A Quiet Place (2016)

By Nikki Baughan (240) for Sight and Sound (827) on 18 Apr 2018

The breathless opening reveals Krasinski's sophisticated filmmaking approach, setting up the premise and showcasing the meticulous attention…

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Review of Sightseers (2012)

By Philip Kemp (186) for Sight and Sound (827) on 08 Apr 2018

Not only is Sightseers a relishable achievement for its devisers, Lowe and Oram, but it enhances Wheatley's reputation as currently the most…

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Review of Silver Linings Playbook (2012)

By Lisa Mullen (17) for Sight and Sound (827) on 08 Apr 2018

Russell's smart, snappy script is delivered by a top-notch cast, including two thoroughly likeable and well-matched leads…

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Review of Amour (2012)

By Catherine Wheatley (9) for Sight and Sound (827) on 08 Apr 2018

What Haneke give us with Amour is a love story, one that is compassionate, powerful and intelligent, and that treats its protagonists and its…

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Review of Ready Player One (2018)

By Pamela Hutchinson (21) for Sight and Sound (827) on 03 Apr 2018

Ready Player One is a pageant of now-dated pop culture references, an elaborate feat of CGI and copyright clearance, with images from games…

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Review of The Great Gatsby (2013)

By Nick Pinkerton (448) for Sight and Sound (827) on 03 Apr 2018

It is not the novel, no, but happy to report, the madly embattled result is a real movie…

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Review of Behind the Candelabra (2013)

By Roger Clarke (9) for Sight and Sound (827) on 03 Apr 2018

Douglas brings a preening, nervous energy to a performance that may well prove to be the best of his career…

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Review of Isle of Dogs (2018)

By Kim Newman (791) for Sight and Sound (827) on 28 Mar 2018

This is such a labour of love, drawing so much from its creator's enthusiasm for all manner of things - not least dogs - that it avoids disappearing…

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Review of Look Back in Anger (1959)

By Penelope Houston (126) for Sight and Sound (827) on 28 Mar 2018

Tony Richardson, directing his first feature, has given it a tough, vital style which represents something new in British cinema…

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Review of Pacific Rim: Uprising (2018)

By Kim Newman (791) for Sight and Sound (827) on 23 Mar 2018

John Boyega manages to show more personality in one unambitious but efficient sequel than entire casts have managed in five Transformers movies…

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Review of A Wrinkle in Time (2018)

By Violet Lucca (89) for Sight and Sound (827) on 23 Mar 2018

There's something halting and overly cautious that prevents this bonkers kiddie fable from taking flight…

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Review of Unsane (2018)

By Ella Kemp (95) for Sight and Sound (827) on 22 Mar 2018

Amid the kitsch jump-scares and heightened theatrics of Sawyer's battle, Unsane might be the first film in a post-Weinstein era to actually…

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Review of Unsane (2018)

By Philip Kemp (186) for Sight and Sound (827) on 22 Mar 2018

Unsane ingeniously maps out fresh territory in a well-trodden field…

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Review of The Square (2017)

By Violet Lucca (89) for Sight and Sound (827) on 17 Mar 2018

Ostlund uses his setting to explore hidden inequalities in supposedly liberal societies, particularly those concerning masculinity, race and…

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